NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

COVID-19: It’s time for musicians to do what they do best

03 Apr 2020 - 09:28

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By Mac Traore

My self-quarantine is almost over. It's required for all US citizens returning home from trips abroad. I just came back from a multi-country journey through Africa that focused on music promotion. Before and since my return to the US, everything I've read, watched or heard on the news and blogs related to our industry talks about a potential doomsday scenario. I haven’t seen much that is hopeful or that suggests any kind of solution going forward.

Musicians and producers pose for a photo during a workshop at the ACCES 2019 conference in Accra, Ghana. Photo: Paul Addo

So far, COVID-19 has claimed almost 55 000 lives worldwide. All major music and entertainment events are cancelled for the foreseeable future. More countries are imposing travel restrictions and lockdowns. People are being told not to leave their homes or to gather in groups.

The question is, what are we going to do about it? This is where we need to focus our individual and collective creative energy as inhabitants of this planet; this is a worldwide crisis that affects every sector, and more specifically the music industry.

We need a new conversation that shifts from "this is the end of the music sector in Africa" to "this is the beginning of a new, more united and stronger music sector." Let’s work together not only to overcome this crisis but to come out of it more unified and stronger than before. Let’s use the technology at our fingertips to stay in touch and lift each other up for as long as the pandemic lasts. Let’s collaborate more with others in our communities and beyond our borders. Let's follow the example of the Italians and others who are singing from their windows and broadcasting solo concerts from their homes. They are beacons of the human spirit shining a light in the face of darkness.

The fact is that many people in the music industry are not too far from where they were before the crisis hit. It’s just more noticeable now. It is sometimes said that there’s opportunity in crisis, and independent African music stakeholders can now start a crucial conversation about the future of the music industry on the continent

Some may ask, why now? The real question is, why not now? After all, when was the last time so many musicians had this much time on their hands? The whole sector is stuck and complaining about it will not solve the problem. But preparing strategies for the next crisis while dealing with the current one might be the best thing to do with our time off.

Collaboration and using the power of music to inspire the world should be foremost on our minds. This is where trade events like ACCES, Visa For Music, Atlantic Music Expo, DOADOA and IOMMA, among others, come in. It's in difficult times like these that we should appreciate the value of powerful networks like Music In Africa to bring us together. Let's use this resource to its fullest potential.

Nobody knows how long this crisis will last. In the meantime, I’m calling on all musicians to do what artists do best: create. Without creation, there is no music. Without music, there is no life. Let's keep hope alive. Let's put our heads together and come up with new ways to collaborate and inspire ourselves and others. My team is working on new ideas and you should too. It’s time to sing.

Mac Traore is the founder of the African Music Promotion Society and CEO of konexion USA.

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