NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Legal

Creative industries contribute more to Ethiopia’s economy, report shows

19 Nov 2015 - 08:23

cc-img flag-img

The significance of copyright-related issues has become more apparent with the growing role of knowledge as the driver of productivity and economic growth. A 2014 report on the contribution of  copyrights to the Ethiopian economy shows that this sector contributes about 4.73% of the annual GDP (Gross Domestic Product) of the East African nation.

The Music of Ethiopia. Photo:www.musicethiopia.com

The objective of the study by the Ethiopian Intellectual Property Office (EIPO) was to assess the impact of copyright industries on the Ethiopian economy by quantifying the contribution of these industries in terms of their value added to the country’s GDP, as well as their contribution to employment and revenue generated from foreign trade.

While noting that the substantial role of copyright in national economies in terms of the production, distribution and consumption of copyrighted materials is usually overlooked, the report states that copyright industries in the country contribute more than sectors such as mining and quarrying, hotels and restaurants, financial intermediation, education and health, and social work sectors. The Ethiopian copyright industries also performed better in terms of employment generation.

Ethiopia is home to more than 80 ethnic groups, each with its own language, culture, customs, traditions, and lifestyles. There are rich traditions of art, music, dance, literature, and other forms of creativity. The country thus has great potential to diversify its economy through the use of its cultural heritage and pool of creative talent as a feasible development tool. Using creativity as a strategic asset for economic development in Ethiopia calls for defining effective intervention strategies which in turn requires understanding and responding to the factors shaping the development of the creative industries.

While the report could not estimate the exact contribution of the Ethiopia’s music sector to the overall economy, it notes that music instrument exports contributed 0.28% to the economy in 2012. That same year the value added of the copyright industries in Ethiopia was 23 billion Birr ($ 1.1billion). As a percentage of GDP at constant prices, this amounted to 4.73%.

The copyright industries also provided jobs to 240 287 people, which is 4.2% of the urban population employed by the different economic sectors. With a 0.65% share in exports and a 10.87% share in imports, the copyright industries played an important role in Ethiopia’s external trade. The total exports by the copyright industries amounted to $22million.

In the interdependent copyright industries, electronic equipment (TV sets, radios, VCRs, CD players, DVD players, etc) took the leading place with 57.5%. Blank recording material (17.7%), paper (15.7%), computers and equipment (7.7%), photographic and cinematographic instruments (0.98%), and musical instruments (0.28%) follow in the order of their contributions to the sector. The lowest contribution in the sector came from photocopiers, which accounted for only 0.13%. The group of interdependent industries together contributed 1.39% of the GDP. The wholesale and retail trade constitutes a significant share of the interdependent copyright industries.

The report states that the past decade, Ethiopia has seen growing interest in better understanding the size and economic contribution of those industries that rely on protections afforded by copyright law. In 2003, the World Intellectual Property Organization (WIPO) issued a methodological guide with a view to revealing the economic contribution of copyright industries. This methodology outlines four groups of copyright industries, identified on the basis of their level of dependence on copyright material. It establishes a set of major indicators - contribution to gross domestic product (GDP), employment, and foreign trade - and lays out research standards and approaches. The guidelines have served as the basis for national studies on the economic contribution of copyright industries in many developed and developing countries.

Furthermore, the cultural policy of Ethiopia recognizes the need for the protection and promotion of the copyright industries. A focus on copyright protection is also one of the strategic directions of the countries five-year Growth and Transformation Plan (GTP), covering the period 2011–2015.

These developments in policy and law are important steps toward enhancing the role of literary, artistic and other creative works in socio-economic progress. Harnessing the potential of the creative industries for economic development requires creating a balance between copyright protection and the flows of ideas and knowledge.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media