NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Deadline extended: Concerts SA Mobility Fund 2025

09 Jun 2025 - 08:44

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The deadline for the 2025 edition of Concerts SA Mobility Fund has been extended from 8 June to 15 June.

The new deadline for applications is 15 June.

The call is designed for South African artists or artists in South Africa with a valid work permit to apply for the 2025 Concerts SA funding.

The opportunity is designed for artists who want to tour in the Southern African region between 15 July 2025 and 15 October 2025.

Music industry professionals from all genres may apply for support of reasonable costs up to a maximum of R45 000 (about $2 500) related to the tour, including:

  • Artist fees
  • Technical support fees (audio, visual etc)
  • Equipment rental (not purchase of equipment)
  • Transport costs
  • Accommodation
  • Venue costs
  • Artist & crew catering/per diems
  • Rehearsal costs (venue, artist fees, technical)

Grant/subsidy requirements:

  • Tours must take place within the Project Implementation Period: 15 July 2025 to 15 October 2025.
  • Applicants must be a South African citizen, or resident in South Africa with a valid work permit.
  • Applicants must have an up-to-date listing with a detailed portfolio on www.musicinafrica.net.
  • Preference will be given to women and youth applicants.

Preference will be given to applications that include:

  • SA tours: a minimum of two live music concerts which must take place in at least two provinces. This could include the province you reside in and another province.

OR

  • SADC tours: at least one live music concert in a SADC* country other than South Africa. Participation in either a music workshop/discussion or an additional live performance will be advantageous.

*(SADC countries: Angola, Botswana, Comoros, Democratic Republic of Congo, eSwatini, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, South Africa, United Republic of Tanzania, Reunion Island, Zambia and Zimbabwe).

  • The FEC subsidy is about the creation of jobs and work, therefore applicants will be required to outline the number of paid work opportunities that their project will create. These can include musicians, technical teams, production support, etc.
  • Applicants will be required to provide evidence of communication with the venues where they will perform, and include as evidence:
    • A supporting letter from the venue.
    • South African venues’ licensing compliance with SAMRO. (If the venue is not licensed, inform the venue to apply for a licence at [email protected]).
  • Successful applicants will be required to commit to the stringent reporting requirements of the project’s stakeholders.
  • Concerts SA – FEC Revenue Sharing Model – Ticket Sales

Recipients of Concerts SA subsidies are required to contribute a portion of their ticket sales and related income from FEC-supported live music events back into the project. This contribution forms part of our shared commitment to the long-term sustainability and impact of the FEC initiative.

Revenue contribution requirements

  • Recipients may retain up to 90% of net ticket sales revenue.
  • A recommended contribution of 10% of ticket sales income should be allocated to the FEC project as a sustainability contribution.
  • These funds must be paid into the designated Concerts SA account during the final reporting phase of the project.
  • This revenue-sharing model is aligned with the strategic shift of the FEC from traditional development funding to a focus on job creation, economic development, and the catalytic support of live music ecosystems.

Please note that preference will be given to:

  • Applications from SAMRO members.
  • Applicants who will be presenting original music works.
  • Applicants who coincide their tours with outreach efforts to public spaces like schools, hospitals, old age homes, airports, taxi ranks, prisons, etc.

How to apply

Only online applications will be accepted. Interested artists should apply here before 15 June. Email [email protected] for queries or more information about the call.

View the original call here.

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