NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Digital music rights on agenda at ACCES 2022

25 Nov 2022 - 08:54

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The 2022 Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) will host a panel discussion on digital music rights and how African music creators can tap into this important revenue stream.

SACEM international development officer for Africa Akotchayé Okio. Photo: Kalin Pashaliev

The discussion is presented by French collective management organisation (CMO) SACEM and forms part of the ACCES conference programme at Julius Nyerere International Convention Centre. It will take place on 26 November at 13.45pm.

Confirmed panellists include Quinn Law Chambers co-founder Annamary Ishengoma (Tanzania), SACEM international development officer for Africa Akotchayé Okio (France) and Gallo Music Group general manager Rob Cowling, who will address the key steps and collective efforts that need to be taken to navigate the digital rights space from an African perspective.

The International Confederation of Societies of Authors and Composers (CISAC) recently reported that Africa accounts for less than 1% of global royalty collections, despite more efficient collection systems, a substantial increase in revenues, and growing global demand for music from the continent.

With this troubling statistic in mind, as well as other data available for royalty collections on the continent, the panellists will try to provide solutions to local and Africa-wide challenges defining this space, and what African creators can do to utilise it to their advantage.

“Right now, there is a surge in digital, and the space is reshuffling the cards positively for African creators in terms of exposure,” Okio said. “We just need to ensure that they are remunerated, and much of that has to do with education about their digital rights, because they can actually leverage digital. We also need to do a lot in terms of advocacy and education to sensitise artists to the opportunities that exist in this space.”

The panel discussion forms part of the ACCES 2022 conference sessions, which also includes networking, workshops, keynotes and exhibitions.

The three-day ACCES conference will feature a dynamic pool of more than 60 local and international speakers, businesses and showcasing artists from over 50 countries.

View the full ACCES programme here.

Register for the event here. African delegates register for free.

About ACCES

ACCES is a pan-African trade show for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe. ACCES 2022 is organised by the Music In Africa Foundation, a non-profit pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, Alliance Française, Ziiki Media, Wasafi Media, the Ministry of Culture, Arts and Sports of Tanzania, the National Arts Council of Tanzania (BASATA), SACEM, and Salon des Industries Musicales d’Afrique Francophone (SIMA). See all our wonderful ACCES 2022 sponsors and partners here.

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