NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Dr Jonas Gwangwa’s Amandla Cultural Ensemble comes home

23 Oct 2015 - 08:22

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In 1980, Dr. Jonas Gwangwa brought the theatrical protest musical Amandla to the world. Now for the first time, it is coming home to South Africa and promises a cutting-edge theatrical production that will enthrall audiences, inspire youngsters and showcase the country’s finest artistic talent.

Jonas Gwangwa, director of the Amandla Cultural Ensemble.

An integral part of South African protest music, the Amandla Cultural Ensemble was originally developed and produced by Gwangwa in Angola. Created to lobby support for the ANC liberation movement in exile, Amandla galvanized international solidarity movements and communicated the injustices of the apartheid system to the global community. Solidarity movements responded to the call through multiple projects that saw donations of food, clothing, medication, transportation, educational and skills development opportunities for exiled South Africans.

From 1980 to 1990, Amandla travelled the world, performing in numerous countries including Angola, Australia, Belgium, Brazil, Canada, Denmark, Ghana, India, Japan, Luxembourg, Libya, Malaysia, Mozambique, Netherlands, New Zealand, Newfoundland, Nigeria, Norway, Russia, Singapore, Sweden, Tanzania, the UK, Zambia and Zimbabwe. In 1990, the Amandla Cultural Ensemble settled and finally dismantled in Zimbabwe as apartheid came to an end and liberation organisations were unbanned in South Africa.

In the spirit of the original production and with the knowledge that progress relies on an understanding of our past, Gwangwa, now head of Barungwa Productions, is looking to inspire the next generation of South Africans. With support from the Department of Arts and Culture (DAC) and the South African State Theatre, Barungwa Productions will bring Amandla Cultural Ensemble – The Production to the stage in December 2015 with an exclusive inaugural performance at the State Theatre in Pretoria on 3 December, followed by public performances on 4 and 5 December. The programme for 2016 is still in development.

Envisaged as a premium nation-building tool, this re-invigoration of the production of Amandla narratively traces the history of the struggle within the global context. With Gwangwa at the helm, his wealth of knowledge and experience, the production aims to develop, elevate and empower the South African arts and culture industry. “As a nation-building tool, the Amandla Cultural Ensemble has proven to be a pre-eminent communication vehicle that can transcend language and cultural barriers. Amandla is able to educate current and future generations about their history, and how the dedication and aspirations of ordinary South Africans made such a big difference to their own lives, and in the world, and why they too should take up that mantle,” said Gwangwa.

Auditions recently took place with great success and the cast is currently preparing to begin rehearsals. Barungwa Productions invites stakeholders who have an interest in, have information about or have archived content to come forward and share their stories. For more information email Barungwa Productions at [email protected] or [email protected]

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