NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Dwin, The Stoic: Master of ballads, architect of connection – part 2

Sibongile Kobo By Sibongile Kobo

26 Jun 2026 - 11:41

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This is part 2 of an interview with Nigerian singer-songwriter, composer, poet and founder of St. Claire Records, Dwin, The Stoic. Read part 1 here.

Dwin, The Stoic.

If storytelling defines Dwin, The Stoic’s music, community defines his vision.

He speaks about collaborators with warmth, fellow artists with respect and the future of the music industry with optimism. Most importantly, he views success as something to be shared.

“The idea that people want to go through life and be the only one to succeed doesn’t make sense,” he says.

That belief sits at the heart of St. Claire Records, the independent label he founded and continues to build alongside artists Rhaffy and Celeste Ojatula.

For Dwin, the label is far more than a business venture. It is a commitment to creating artist-centred environments where creativity can flourish without exploitation.

“You’ll go far in life if you find like-minded people and grow together,” he says.

Turning pain into purpose

Listeners often assume Dwin, The Stoic’s songs are entirely autobiographical. The reality, he explains, is more complex.

“I don’t always write from my own experiences.”

Many songs emerge from observation and empathy rather than personal experience. Others, however, come from deeply personal places.

One such influence was the loss of his sister, Claire, whose memory inspired the name St. Claire Records.

The experience shaped not only his worldview but also his understanding of music’s ability to comfort, heal and connect.

“Music should take you somewhere,” he says.

That philosophy runs through his catalogue, whether he is exploring heartbreak, healing, longing, infertility or love.

His recent single Mad offers one of his most emotionally powerful works to date.

Centred on infertility, loss and emotional pain, the song has provoked intense reactions from listeners.

“Most people I’ve played it for tell me they felt a strong urge to cry.”

Rather than avoid difficult emotions, Dwin, The Stoic believes great songs should create space for them.

Why hope matters

After stepping away from releasing music for nine months to focus on St. Claire Records and the development of artists on the label, Dwin returned with two deeply personal releases: Mad and Again.

Interestingly, both songs had existed for years.

“Mad and Again have existed for over four years,” he says. “They were originally part of an album that never became an album.”

Together, the songs tell two sides of the same emotional story.

While Mad confronts pain and heartbreak, Again offers hope and renewal.

“Originally, Again came before Mad,” he explains. “But when I listened to Mad, I felt it was too devastating on its own. People needed hope.”

The result is a musical journey that acknowledges suffering without allowing it to become the final chapter.

“The idea became that you go through all of that pain and then, sometime later, you find love again.”

The approach has resonated strongly with audiences, particularly online, where Again has attracted growing attention and introduced new listeners to his work.

Building an artist-first future

As African music continues its global ascent, Dwin, The Stoic believes the conversation must extend beyond chart positions and streaming figures.

“We have the numbers. We have the talent. What we need is infrastructure.”

His background in technology has become a valuable asset in that mission.

From developing internal systems to managing catalogues and organisational structures, he approaches music with the mindset of both an artist and a builder.

“I want to create a legacy of an artist-first record label,” he says. “I want artists to know they don’t have to suffer unnecessarily.”

It is a vision that prioritises sustainability, fairness and long-term development over short-term gains.

Defining success differently

For many musicians, success is measured through awards, streams and chart positions.

For Dwin, it is something far more personal.

Success is hearing a crowd sing every word back to him.

Success is learning that a song helped someone through a difficult season.

Success is discovering that I Go Nowhere has become part of a wedding celebration.

“Music starts in me before success,” he says.

It is a perspective that reflects the values underpinning his entire career: connection before recognition, meaning before metrics.

Looking ahead

The next chapter is already taking shape.

Dwin, The Stoic is currently working on a collaborative album with longtime creative partner Rhaffy, a project he describes as an expansion of their shared artistic vision.

“Rhaffy and I are working on a joint album,” he says. “We’re expanding the sound of what we do while staying true to the storytelling that defines our music.”

Fans can also expect new visual projects, international collaborations and further exploration of filmmaking following his directorial work on Mad.

Preparations are also underway for a new tour, with East Africa expected to be the first stop.

For an artist whose music has travelled across borders through streaming platforms and social media, the opportunity to meet listeners in person remains deeply meaningful.

The story continues

Today, Dwin, The Stoic stands at a unique intersection of creativity, entrepreneurship and purpose.

New music is on the horizon. A collaborative album is in development. Film projects are emerging. Tours are being planned.

Yet despite the growth, one thing remains unchanged.

“The thing I’m obsessed with is writing songs,” he says. “Performing is nice. The business is cool. But the happiest I am is when I’m composing in the studio and making decisions about songs.”

For someone who began with notebooks full of unfinished ideas, that passion has never faded.

Only the audience has grown.

Only the stage has expanded.

Only the vision has become bigger.

In an era often defined by algorithms, virality and fleeting attention spans, Dwin, The Stoic remains committed to something more enduring: human connection.

Whether through a ballad that comforts the grieving, a love song that accompanies a wedding, a record label that nurtures artists, or a conversation that inspires a young songwriter, his influence extends far beyond music.

At his core, Dwin, The Stoic remains the young writer searching for the right words to make sense of the world.

The difference now is that thousands of listeners have joined him on that journey.

And as he prepares for new music, new collaborations and a return to stages across Africa and beyond, one thing is certain: The story of Dwin, The Stoic is still being written.

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