NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

# African_Music

East Africa and the Middle East are Encountering Major Music Industry Growth

17 Feb 2026 - 09:50

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The Middle East and East Africa are now the fastest-growing music markets in the world, according to the latest findings from the International Federation of the Phonographic Industry (IFPI).

Its Global Music Report 2025 revealed that revenues across the two regions rose by a combined 22.8% in 2024 — a sharp increase driven primarily by streaming.

“There are several factors at play, mainly related to streaming,” IFPI regional director Rawan Dabbas told The National. Subscription streaming, particularly paid accounts, has expanded significantly, alongside steady growth in ad-supported audio platforms. Strong releases from established and emerging artists across the region have further accelerated momentum.

Streaming Powers a Regional Boom

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Digital adoption is at the center of this rise. Affordable smartphones, improved internet infrastructure and a young, tech-savvy population have made streaming the dominant format in both the Middle East and East Africa.

In markets like the UAE and Saudi Arabia, paid subscriptions are climbing steadily. Meanwhile, in East African countries such as Kenya and Ethiopia, ad-supported streaming and mobile-based access are widening reach and introducing local artists to international listeners.

The result is a region that is no longer simply consuming global hits but exporting its own sounds — from Arabic pop and Khaleeji rhythms to East Africa’s Afropop, Gengetone and Bongo Flava.

Industry Infrastructure Expands

 

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The growth is also visible on the business side.

In 2024, the International Music Summit launched its first Dubai edition at the W Dubai - The Palm, convening executives, artists and festival founders to discuss the region’s influence on global dance music. Speakers included Billboard Arabia Managing Editor Maha Einabawi, Saudi DJ Cosmicat, and Oasis Festival founder Marjana Jaidi, who highlighted how regional scenes are shaping electronic music culture beyond traditional Western hubs.

This institutional recognition signals that the Middle East — alongside emerging East African markets — is increasingly central to the global music conversation.

Global Platforms Look South and East

 

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At the same time, international platforms are localizing their strategies.

Electronic music marketplace Beatport recently expanded its regional focus with Beatport Mexico, introducing tailored pricing and content for local audiences. Its Beatport Connect: Mexico City event gathered industry professionals for panels and workshops, alongside performances from artists including Jessica Audiffred and Dj Fucci.

While centered in Latin America, the move reflects a broader industry shift: music companies are recognizing that growth is coming from emerging markets — including the Middle East and East Africa — where streaming adoption, cultural output and youth-driven demand are reshaping the global music economy.

As revenues climb and infrastructure strengthens, these regions are not just growing faster than the rest of the world — they are redefining where the future of music is being built.....

talent: the Beatport Next Class of 2026.

As revenues climb and infrastructure strengthens, these regions are not just growing faster than the rest of the world — they are redefining where the future of music is being built

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