NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

East Africa to host ‘Jazz and Beats’ workshops and concerts

09 May 2016 - 09:23

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Three artists from Kenya, Uganda and Tanzania will collaborate with a visiting Norwegian artist to stage a series of shows and workshops across East Africa between 21 May and 4 June. Part of the proceeds will go towards buying hearing aids for deaf children in the region.

Ugandan jazz artist Brian Mugenyi. Photo: www.reverbnation.com

Kenya’s Joseph Hellon, Ugandan Brian Mugenyi and Tanzania’s Banana Zorro will be joined by Erik Smith from Norway to stage performances in the three East African countries. The tour seeks to establish a connection between East African and Norwegian performers to foster better community relations through music.

From his base in Oslo, Norway, Erik Smith works in all imaginable genres of music, from big band jazz to pop and rock. Erik has worked with many well-known artists, including American stars Michael Bolton, Art Garfunkel, Neil Sedaka, Donna Summer and Randy Crawford, in addition to many entertainers on the Scandinavian scene.

Organized by Norway’s Afrost Events, the upcoming tour will comprise free interactive training sessions conducted by acclaimed international musicians. Erik Smith will host a drumming clinic for talented and underprivileged youth in the three countries. These clinics will culminate in a competition, where finalists will be judged by Erik Smith together with leading drummers in each host country. The winner will be given special drumming tips and prizes, including a music school scholarship.

The workshops in each country will culminate in exclusive "red carpet affair" evening concerts, complete with six-course gourmet meals.

The tour kicks off in Dar es Salaam, Tanzania with a drumming clinic at the Diamond Jubilee Plaza on Friday 20 May, ahead of the concert at the Serena Hotel the following night. It then moves to Kampala, Uganda, with the drumming clinic taking place on 25 May at Zone 7 in Bugolobi. The concert will be held on 27 May at the Golf Course Hotel. The tour ends in Nairobi, Kenya, with the clinic on 3 June (at a venue that has not yet been confirmed) ahead of the final concert at the five-star Villa Rosa Kempinski on 4 June.

Afrost Events will donate 20% of ticketing proceeds from the events to the US-based Starkey Hearing Foundation to help purchase hearing aids for the youth in Kenya, Uganda and Tanzania who are living in a silent world, giving them an opportunity to hear the daily beats of life. According to the organizers, the tour is aimed at involving everyone, irrespective of their setbacks. “We realized that many times music concerts are organized but the deaf are not part of the stakeholders," say the organisers.

"If given a platform, we understand that many people - especially children and the youth - can demonstrate talent within the drumming spectrum, despite their incapability to hear. Supporting them with hearing aids is our dream come true!”

To book tickets for any of the concerts, email [email protected].

Performing artists

Uganda’s Brian Mugenyi is a well-known artist on the East African jazz scene. He is regarded as among the crop of artist who has helped grow jazz music in Uganda. Brian is an accomplished young musician whose 2013 debut album, Take Time, attracted rave reviews. He is set to release his new 15-track album, Dawn, later in 2016, incorporating a variety of styles ranging from the 1980s funk and soul to the latest electronic dance music. Brian is currently composing the score for the Belgian filmmaker Kjell Clarysse's feature film Papi.

Kenya’s Joseph Hellon is an innovative and professional artist with expertise in the art of composing original, thematic music and performing for live audiences. With more than a decade of experience in the music industry, Hellon has released five albums and is currently working on his sixth, titled Fish Conspiracy. The saxophonist has in the past performed at the African Cultural Music and Dance Association (ACUMDA) as well as the Joy of Jazz festival, both in Johannesburg, South Africa.

Banana Zorro's music combines African influences and Tanzanian traditional drums with R&B, pop and rock. Banana began singing with the R&B group called B Love in early 2000 before going solo with a hit song called ‘Mama’ anda debut album in 2003.

The Jazz and Beats tour is expected to move on to Oman in the Middle East in November 2016 and Europe in March 2017. For more information visit the Jazz and Beats website.

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