NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

East African Records shares new music from Uganda

17 Jul 2023 - 09:26

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Kampala-based East African Records has shared three of its July releases.

Amani Greene and NX Panther .

The singles comprise an amapiano-style bass roller from the UK’s NX Panther and Uganda’s Amani Greene, rhythm from dub/house supremo Razoof and percussionist Erick Kigongo, and sublime, yearning melodies combining a traditional Ugandan harp and electric guitar.

All the releases are available for streaming on East African Records’ Spotify playlist.

Jashu by NX Panther and Amani Greene

Feel the bass with ‘Jashu’, an amapiano style club roller, combining the vocal talents of UK’s NX Panther and slick production of Uganda’s Amani Greene.

A truly international production, ‘Jashu’ came about when NX visited her ancestral land of Uganda in 2022 and started jamming with Amani at East African Records studio. They were both taken in by the amapiano sound that was taking over the airwaves in Uganda and UK and ‘Jashu’ was the result.

NX Panther is a London-based hip hop Artist with Ugandan-Indian heritage. Her laidback street-poetic style is equally at home on tough drill beats and sultry electric harmonies. She released her debut EP Black Forest Ghetto with Decadent Monopoly group in 2018 and her second EP titled You May Have Been Wondering Where I’ve Been in 2021 under her self-founded label Tava Records, spotlighting the African and Asian diasporas.

Amani Greene, on the other hand, is a Tanzanian producer based in Kampala, Uganda. Currently resident beatmaker at East African Records, he has recorded for some of Uganda’s top artists including Recho Rey, Kvan, Mugaba, GNL Zamba, Bebe Cool and Mun G. His style varies across Afrobeats, roots reggae, hip hop and dancehall.

Stream Jashu here.

Morombo by Razoof and Erick Kigongo

‘Morombo’ is the direct, primal expression of one of the finest percussionists in East Africa - the unknown but immensely talented Erick Kigongo from Uganda.

In the studio, Razoof kept the production to a minimum: not messing with the original sounds, but just layering the different drums, keeping them perfectly synchronised and adding subtle tones to augment the vibes. The result is a powerful set of purely rhythmic tracks that subtly change and morph throughout.

The album serves as a mind-liberating companion to workflow or meditation, a killer set of DJ tools for Afro-House/Afro-Tech/Dub DJs, and as an ethnographic record of Ugandan drumming at its finest. An extraordinary and unique album.

Just after its release, Razoof received a message from Tropical House superstar Pablo Fierro asking to buy out the album. Download and spin it now, before it gets swallowed up by clubland.

Stream Morombo here.

Adungu Blues by Alifchief and Charles Obina

A melodic and hypnotic duel between the adungu (Ugandan harp) of Charles Obina and electric guitar of Alifchief, ‘Adungu Blues’ is African blues at its finest. It is taken from the forthcoming Eh Banage! EP, set for release on 29 July, which exercises Alifchief’s full range from Sahara blues to classic rock to jazz-funk.

Alichief is a guitar maestro from Brunei, pushing his unique style of psychedelic rock and blues, influenced by his native Asian sounds and the polyrhythmic sounds of Uganda, where he has been based for several years. His 2020 Boda Boda EP was pressed to vinyl and favourably reviewed by Arts Desk magazine, which compared his playing to Santana. His 2021 album Nusantarafrika was heavily playlisted on the radio worldwide, earning hundreds of positive reviews and accolades.

Stream Adungu Blues here.

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