NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

East African Records shares new releases

16 May 2024 - 06:14

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Kampala-based alternative music label and distribution company East African Records (EAR) has announced its latest releases. 

Phelimuncasi.

The new music includes experimental gqom, Ugandan trap and a skanking roots tune from C Wyne Nalukalala and veteran DJ Vadim, who will perform at Kalabash Festival in Kampala on 25 May.

Give Thanks by DJ Vadim & C Wyne Nalukalala

‘Give Thanks’ is an uplifting roots reggae tune from Ugandan dancehall artist C Wyne Nalukalala and Grammy-nominated UK producer DJ Vadim who was was formerly signed to Ninja Tunes. C Wyne chants the praises of Jah Rastafari over Vadim’s fat, bouncy instrumental, which harks back to classic 1970s production. The video for this collaboration drops on 17 May on C Wyne’s YouTube channel.

Stream Give Thanks here.

Um’khonto by Phelimuncasi & Alameda 5

‘Um’khonto’, meaning spear, brings together South African gqom group Phelimuncasi and one of Poland’s leading experimental electronic acts Alameda 5. Phelimuncasi’s uncompromising style is given a soulful twist with various percussion, winding synthesisers and turntable scratches. The dynamic rivalry of the MCs offsets the multicoloured maximalism of the Poles, superbly accentuated by the rhythmic qualities of the Zulu language. Phelimuncasi is one of the most successful gqom acts internationally, with performances at the Roskilde Festival in 2023 and Unsound Festival in Poland in 2022.

Stream um’khonto here.

Kisasi Kimu by Blaq Bandana

‘Kisasi Kimu (One Shot Gun)’ is a return to the scene for Uganda’s “most notorious MC” Blaq Bandana, who’s been on enforced leave at the president’s pleasure for two years. The ‘one-shots’ are familiar to East African residents as the rusty old rifles from the bush war, which are handed out to guards at banks. Bandana’s lyrics always mix comedy with menace – “All I need to slay your crew is a kisasi kimu.” With superbly sinister trap-style production by Amani Greene, this is “East African gangster business at its finest.” Blaq Bandana has performed on the main stage at prestigious festivals in Uganda, including Fête de la Musique and Nyege Nyege. Bandana has released tracks on the cream of African underground labels, including Flo$$ on Nyege Tapes (with Chrisman) and Nkwaata on PAN Records (with Still).

Stream Kisasi Kimu here.

Encore Encore by thii

A slow-burning, menacing house throbber from thii, ‘Encore’ layers spoken word over acid lines and insistent bass. thii has a growing regional and international fanbase for his epic live and DJ sets. He tours underground clubs in France every summer and manages The Room Residente events in Kampala, which have already gained cult status. thii has played at numerous electronic festivals around East Africa including Nyege Nyege (Uganda), Beneath the Baobabs (Kenya) and Kaleidoscope (Kenya).

Stream Encore here.

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