NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Ayub Ogada

East African songs that made it to film

18 Sep 2017 - 14:39

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Here is a listing of both classical and urban songs by East African artists that have been used in either movies, documentaries or series. Please note that none of this original tracks were specifically tailored for the film.

Nyatiti player and composer, Ayub Ogada.

‘Koth Biro’ by Ayub Ogada (Kenya)

Ogada is calling out to his mother to bring the cattle back home because there are signs that it is going to rain. Oh mother, if you can hear me the rain is coming, bring the cattle home.

This song has been featured in Movies like I Dreamed of Africa (2000), The Constant Gardener (2005), Samsara (2011) and The Good Life (2014). It has also been used as sound track for BBC series Long Way Round Long Way Down and an action drama series by NBC The Philanthropist.

‘Okuzaala Kujagaana’ by Irene Namatovu (Uganda)

Have you ever wondered how a traditional wedding in Uganda looks like? Namatovu tells the story of two love birds preparing to get married. From the video you can see how a man and a woman dress during their traditional wedding day.

This song has been featured in the movie Queen of Katwe. A movie about living in the slum of Katwe in Kampala, Uganda. The audience are taken through the struggle of a ten year old girl whose luck changes after she meets a missionary who teaches children how to play chess.

‘Set it off’ by Stella Mwangi (STL) (Kenya)

The song is off her Hollywood EP album called Stella Mwangi. If you are looking for a party song to lift up your spirit then this is the perfect song for you. STL’s single has been featured as soundtrack on the third episode of BET Africa’s show, Being Mary Jane Season 4 and Bad Moms Christmas movie due to be released in December 2017.

‘Maria Salome’ by Saida Karoli (Tanzania)

This song can only make sense to you if you've bought peanuts from a roadside market and had to sort out the good from the rotten. Karoli is in love, she is telling her parents of how her lover chose her out of so many women. She goes ahead to say wenye wivu wajinyonge (anyone who does not wish her well should go ahead and commit suicide).

This song featured in the Tyler Perry produced movie Peeples. In 2016 she was paid royalties by Diamond Platinumz for redoing the song as ‘Salome’.

‘Black Star’ by Henry Ohanga (Kenya)

Mexican-Kenyan actress Lupita Nyong’o said “for every little child, no matter where you are from, your dreams are valid”. Ohanga delivers the same message through the song accompanied by his daughter Tracy. His is a success story, he grew up in Kibera, the largest slum in East Africa, and today he is among the richest Kenyan musicians.

This song was featured as soundtrack on the 2016 film documentary Giants of Africa. The documentary captures Toronto Raptors GM, Masai Ujiri’s journey of philanthropy and inspiration, as he uses basketball to educate and enrich the lives of underprivileged African youth.

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