NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Ada

Easter feature

12 Apr 2017 - 08:45

cc-img flag-img

It’s Easter Weekend and Christians all over Africa and the world are celebrating the Passion, death and resurrection of Christ. This is a time when families and friends meet to spend time together. Some use the occasion to bury past feuds and make amends, while others take delight in the delectables of Easter Sunday lunch. It is also a time when people take a rest from hard work and prepare for the year ahead.

Joyous Celebration's ‘Hallelujah Nkateko’ is perhaps the first SA gospel video to hit 1 million YouTube views. Photo: Facebook

From an African music perspective, Music In Africa celebrates Easter by paying tribute to some of the continent’s best-known gospel musicians who dedicated their careers to conveying the message of Christ in song. We also remember late musicians who made a massive contribution to the gospel music scene: South African artists S’fiso Ncwane and Lundi Tyamara as well as Zimbabwe’s Agnes Gudza and Joyce Simeti.

Joyous Celebration (South Africa) – ‘Hallelujah Nkateko’

‘Hallelujah Nkateko’ (Hallelujah Blessing) is a song by South African gospel artist Sibusiso Mthembu featuring popular gospel ensemble Joyous Celebration. Sitting at more than 3 million YouTube views, ‘Hallelujah Nkateko’ is the first South African gospel video to have more than 1 million plays. The lyrics, describe Jesus as powerful and a conqueror.

Ada (Nigeria) – ‘Only You Jesus’

Shot by Carelfilms, ‘Only You Jesus’ is a music video by the sensational female Nigerian artist Ada that shows the power of Jesus Christ in challenging situations. The powerful video reaches out to people through her unique sound that impacts lives of believers. Available on iTunes and Amazon, its audio was produced by Kelly Lyon of Spiritual Beatz.

Takesure Zama Ncube & Worship addicts (Zimbabwe) – ‘Agere Pachigaro’

Taken off the first live DVD by Worship Addicts titled Worship Altar Volume One, ‘Agere Pachigaro’ is a powerful song by Zimbabwean gospel artist Takesure Zama Ncube & Worship addicts. The song, whose lyrics heaps praise to Jesus Christ, won him a Zimbabwe Achievers Award gong for the International Gospel Artist. ‘Agere Pachigaro’ is among Zama’s songs that has made him to become a force to reckon with on the gospel genre.

S'fiso Ncwane (South Africa) – ‘Kulungile Baba’

Released in 2010, ‘Kulungile Baba’ (All is well father) is a song by the late Sfiso Ncwane. In the song, Ncwane encourages his fans to put their trust to Jesus in whatever challenges they face. The song propelled Ncwane to stardom, making him one of the successful gospel musicians in the country. ‘Kulungile Baba’ earned him an accolade at the South African Music Awards.

Nacee (Ghana) – ‘Yewo Nyame A Yewo Adze’

‘Yewo Nyame A Yewo Adze’ is a gospel song by Nacee featuring Ernest Opoku. The songs has enjoyed massive airplay for several months and was voted Gospel Song of the Year at the recently held Vodafone Ghana Music Awards (VGMAs).

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media