NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Egyptian promoter arrested over ‘satanic’ Brazilian band Sepultura

07 Jun 2016 - 09:55

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Despite a thriving rock scene developing in Egypt in recent years, an Egyptian musician and concert promoter was allegedly arrested on the night of Saturday 4 June after police shut down a “satanic party” in Cairo featuring touring Brazilian band Sepultura.

Brazilian band Sepultura were prevented from performing in Egypt. Photo: www.mtv.com

According to a recent article published in the UK-based magazine IQ, witnesses reported that promoter Nader Sadek and two other people, including the owner of the villa in the Sheikh Zayed area where the concert was taking place, were taken into custody and interrogated after police, acting on instructions from the National Defence Council, raided the concert, at which Sadek and other local acts were also due to perform.

Giza police chief General Khaled Shalaby reportedly said that his force received a tip-off that around 60 people were preparing to attend a “satanic” event in Sheikh Zayed, in the Cairo suburbs. Police forces allegedly stormed into the villa and physically stopped the concert.

Hany Shaker, head of the Egyptian Musicians Syndicate, stated on Egyptian state TV that “the devil worshippers [Sepultura fans] were dressed in a very weird style and drew their makeup in the shape of a pentagram” and “wore leather jackets with stars on the back, and that is strange.”

Shaker is a controversial figure who was initially reported to have resigned after the backlash to a similar controversy involving Sadek in March, when Shaker told TV host Sayed Ali that a concert by American band Inquisition and Dubai-based Perversion at the Sherazade nightclub on 19 February was part of a Western conspiracy to spread “chaos and immorality” among young Egyptians.

This time around, it seems that various Egyptian authorities did not got their stories straight. Ahmed Hegazy, head of the Giza Security Directorate, said the main reason for the cancellation was a lack of proper permits.

According to Egyptian news source Ahram Online, even though Sadek had acquired the necessary permission from the Musicians Syndicate, he had not received required permission from other official bodies, including the National Security Agency. Several assistants to the organisers, who planned bus trips and helped bring food to the concert, apparently fear persecution as the matter now is investigated by the National Security Agency.

Metal Bell Magazine meanwhile reports that Sadek has since been arrested.

Formed in 1984 in Belo Horizonte, Brazil, Sepultura have sold some 20 million albums worldwide, including 3 million in the USA alone. MTV has called Sepultura the most successful Brazilian heavy metal band in history and "perhaps the most important heavy metal band of the '90s."

The show would have been Sepultura’s first in Egypt. Early on Saturday, the band wrote on Facebook: “Cairo, let’s make history tonight!”

Shortly before the show was due to start, the band's guitarist Andreas Kisser told Ahram Online: “It is great to have the possibility to come to a place like Egypt. It has been 32 years in our career. Egypt is the 76th country that we visited, with all its history, which is a beautiful mark for us. We played in several other places, regardless of the political situation or religion or any other aspect. We played in Muslim and Catholic countries; we played in dictatorships, democracies and monarchies. We played in every type of country.

“It is really great to see that Egypt has really opened the door and laid down those barriers and always felt like pioneers in that regard. It is not easy to come to Egypt and put on a heavy metal show... We brought a crew to make the best effort to present the show, as we did everywhere in the world.

“Hopefully, this Sepultura show will help people open more doors and make people understand that we are making art and music. We have interests in different kinds of music in the world, and we talk about everything in our lyrics, about society and different experiences in nations. We touch on different kinds of subjects and it's great.”

Following the show’s cancellation at the hands of authoriites, Sepultura’s manager Tom Gill announced that the band members felt sorry for the cancellation “because they've been dreaming to play in Egypt for a while.

“What we have heard about the cancellation is that it was related to some missing permit payments, but we could not confirm it because we couldn't speak with Nader Sadek, the organiser,” said Gill. “They told us that he has been taken by the police.”

Sepultura also wrote on their Facebook page that they are deeply “sorry for the fans that were anxiously waiting for the concert, but these are legal issues that are beyond the control of any artist.”


Egypt is not the only African country with strict laws controlling live shows. In Ethiopia, for example, concerts have been cancelled at the last minute for similar reasons. For more on issues of censorship and freedom of expression, see our June 2016 theme.

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