NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Eli Live – ‘Hey’

11 Jan 2016 - 06:02

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By Moses Abeka
 
Artist: Eli Live
Album: Hey
Label & Year: Atom Studio, 2015

Hey album cover. Photo: www.cdaby.com

In an era saturated with soulless music and copious upstart singers vying for the coveted “next big thing” status, Eli Live is a refreshing exception. His 2015 album Hey is proof that Eli is one of East Africa's artists to watch in 2016. The 14-track album by this 26-year-old Ugandan with Kenyan roots was produced by Ugandan producer Kaz Kasozi and mastered in Germany at Atom Studio.

The album is an interesting addition to the Ugandan music scene. As the country's middle class grows, the rise of corporate culture has become synonymous with a demand for live music. Meanwhile, more working class Ugandans meet in the evenings at hangouts to loosen up to soothing sounds - a serene way to retire after a long day of work. In this vibrant atmosphere, a soul album comes in handy!

Singing a hybrid genre, Eli Live effortlessly blends R&B and soul with local influences. His smooth voice reaches impressive falsettos to complement his deep lyrics. He sings about love, reconciliation and perseverance. Hey is a blood-stirring assembly of fineness, robed in intricate guitar rhythms, soft drum pulsations, trumpet melodies, tingling piano keys and hazy bass wafting through the background. The acoustic effect forms a soft, textured background with a lively aura. This diffuses a vague scent of a bar scene - perhaps in a Texan cowboy movie. He weaves his lyrics in, and out, decorating the album with colourful, picturesque diction that is contemporary and steeped in the bellows of poetry.

'Grateful', the lead single on the album, ushers the listener with smooth guitar rhythms. He blends Swahili and English, which gives the album a rich appeal. Other tracks like ‘Pole Pole’, ‘Jichunguze’ and ‘Penzi la Dhati’ are mainly in Swahili. In ‘Hey’, ‘Fairy Tale’ and ‘Peace Surpasses’, the artist makes his mark with distinct, narrow vocal range and vibrant adlibs. ‘No Idea’, a song that embraces a more upbeat tempo (unlike most of the songs on this album), is likely to get many playing it over and over.

Born to a Kenyan father and Ugandan mother, Eli Live started his career as a dancer and a back-up singer in his family’s band. He blends neo-soul with African rhythms as a better way of staying true to his roots and making his identity discernible. “I believe music is a language for itself - one that can be translated into words occasionally," says Eli of his new album. "I hope that each of my songs grows into its own story in your soul and speaks about something that you feel, know and have experienced."

The album is hinged on the power of live instruments and a great voice. Perhaps it could have been even better if the artist worked more on the ambience, but the beauty of the album is that the artist manages to inject a soothing, relaxed and stimulating effect into each song, one that reaches into the listener's heart. His themes draw from a wide range of topics revealing a robust, well-travelled mind. It encapsulates accurately and honestly who he is, both as a person and as an artist.


The album is available online for purchase from cdbaby.

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