NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Emerging Rwanda: Kaya Byinshii

10 Jun 2021 - 13:17

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Kaya Byinshii is currently regarded as one of the most talented newcomers on the Rwandan music scene. The 23-year-old singer, actress and poet has a remarkable, vibrant voice that brings both relatability and authenticity to the stories she tells. Her debut EP Nyabyinshi was released in October and is a combination of soul, folk and reggae coupled with smart lyrics and smooth vocals.

Rwandan musician Kaya Byinshii.

“I exposed myself to different types of music so that I can stand out music-wise, both as a singer and songwriter,” she says. In April, the artist partnered with the versatile photographer Meliibees on a photo series about flowers. We caught up with the Green Ferry Music signee to learn more about her music and career.

LUCY ILADO: How has this year been for your career?

KAYA BYINSHII: It’s not been too bad to be honest. Initially, it was all a bit daunting, as there was a sense of uncertainty, but for me, as time has gone on, I’ve been able to get stuck into music. I’m optimistic for better times after the pandemic. Meanwhile, I’m taking the opportunity to network and meet with artists that inspire me. My highlight so far, I would say, was getting to meet American singer Teddy Riley and Congolese-Belgian singer, rapper, songwriter, model and artist Lous and the Yakuza in Kigali. Although there wasn’t much time to speak in length, I was inspired by their success stories.

How do you describe your music?

Genres do not confine me and I’m sure that I will not settle for a specific sound. But I tend to lean more towards folk, reggae, R&B and soul. Thematically, I strive to encourage conversations on different topics such as self-love and self-awareness – issues that are not covered as much as they should.

Congratulations on the release of your debut EP. It is such a great collection of songs. How does it feel to have it out?

Thank you very much! Initially, I was nervous because I was scared of negative feedback. I didn’t want to make myself vulnerable. But now the feeling is different because all the feedback has been positive [laughs]. I feel relieved and happy that people can get to know me a bit more.

Was there a particular theme or message you wanted to portray with this EP?

There’s an empowerment theme but the main message is to trust your gut, be intuitive and listen to your conscience. ‘Kami’ and ‘Uri Kaya’ encourage the listener to embrace self-love. I believe that one needs to love and accept themselves and also set aside time for meditation to be the best version of themselves. ‘5 Am’ challenges the listener to be self-driven and not rely on others to make their dreams come true, while ‘Ibyejo’ talks about living in the moment as nobody knows what tomorrow holds.

I love all the tracks, but my favourite is ‘Ibyejo’. What was it like to collaborate with famed artist Bushali?

It’s everybody’s favourite [laughs]. I think it’s because it carries a theme that anyone can relate to – love. Also, it has a fast-paced, irresistible rhythmic groove. Bushali is famous, and yes, that also helped to make it more popular. He is a very cool and creative person to work with. I am sure we will have more projects in the future.

Any local media support for the EP?

No local airplay, honestly. I cannot zero in on why this is the case, but I think radio stations believe people won’t like the music, or it could be because I don’t pay for the music to run on radios or TVs. I am optimistic that the industry will slowly embrace artists like myself. In the meantime, we will keep making good music that speaks for itself.

Where would you like to be in the next five years?

I am very passionate about live performance. I hope that in the next five years, I will be a regular at various music festivals worldwide like Sauti za Busara, Bushfire, Bayimba and WOMEX. Before then, I plan to release more music, and I am super excited for the next project, which could be an EP or album.

You are as passionate about music as you are about theatre. How do you ensure a balance between the two?

I find music and theatre very complementary, which doesn’t need balance. My goal as an artist is to initiate conversations that challenge people to be better, and I do this through acting, poetry or music.

Several of the musicians we’ve interviewed recently have spoken about how the pandemic has stretched them creatively. Did you learn any new skills during the lockdown?

Yes. I got a ukulele and learnt how to play it. I’m not as perfect as I may want to be, but I am glad that I already got the basics. I’ve been able to perform with it a couple of times already. There’s a short film by Khald Steve Shema titled Last Lasts, which will be released soon. Aside from being featured as an actress, I also created the film’s theme song by playing the ukulele.

Stream Nyabyinshi here.

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