NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ethio-Israeli singer Ester Rada to perform at WOMAD 2016 edition

02 Dec 2015 - 06:54

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Ethio-Israeli singer Ester Rada is set to stage her maiden performance in New Plymouth, New Zealand when she plays at the WOMAD festival in March 2016. WOMAD that will be held between 18 and 20 March fans the flames of the diverse and colourful line up with the acts from various continents.

Ethio-Israeli artist Ester Rada. Photo: jazzkaar.ee

South African acappella group Ladysmith Black Mambazo as well as American singer and songwriter John Grant are set to perform at the festival. Formed in the 1960s by Joseph Shabalala, Ladysmith Black Mambazo has more than 50 recordings, 15 Grammy Award nominations and four Grammy Award wins under their belt. They have provided film soundtracks to a number of films including The Lion King (Part II), Invictus. A documentary about Ladysmith Black Mambazo; On Tip Toe: Gentle Steps to Freedom, the Story of Ladysmith Black Mambazo, was nominated for an Academy Award. They have also appeared on Broadway and been nominated for The Antoinette Perry Award for Excellence in Theatre, more commonly known informally as the Tony Award.

Malian group Songhoy Blues will export their unique blend of traditional and modern sounds to WOMAD. The group was formed in 2012 after its members fled their homes in North Mali due to growing unrest and a ban on music. The four-piece have since collaborated with Nick Zinner of Yeah Yeah Yeahs for the Africa Express project, released their debut album Music in Exile to critical acclaim and have been in high demand on the international touring circuit. Their music has been described as everything from desert blues punk, R&B, to the love child of Ali Farka Toure and US Bluesman John Lee Hooker.

Also bringing the West African rhythms to WOMAD is Fela Kuti’s youngest child Seun Kuti and Egypt 80. Seun, Nigeria’s wildly inventive musical visionary creator has full steamed ahead with his own inimitable brand of Afrobeat. He has been at the helm of his father’s legendary band Egypt 80 for more than 20 years. WOMAD promises an eclectic line up of artists from far and wide. To learn more about the 2016 visit the festival website.

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