NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

European Commission approves UMG’s $775m Downtown Music acquisition

08 Jun 2026 - 08:49

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The European Commission has approved Universal Music Group’s (UMG) $775 million acquisition of Downtown Music Holdings, concluding a regulatory review that has lasted more than a year.

European Commissioner for Economy and Productivity Valdis Dombrovskis.

The approval is conditional on UMG divesting Downtown’s Curve royalty accounting business, which will be required to operate as a standalone entity until it is sold to an independent buyer approved by the Commission.

The decision, announced on 5 June, follows an in-depth investigation launched after UMG’s Virgin Music Group initially disclosed the transaction in December 2024. The Commission formally opened its Phase II review in July 2025, citing concerns over competition in the music distribution market within the European Economic Area.

Under the agreed remedies, UMG must sell Curve Royalty Systems in full, including its platform, customer contracts and most staff, with limited exceptions. Regulators said the measure was intended to address concerns that ownership of the system could give a major label access to commercially sensitive data from competitors.

European Commissioner for Economy and Productivity Valdis Dombrovskis, said the decision was aimed at maintaining competition in the sector.

“The music industry plays an important role in bringing artists’ creations to audiences, and it is essential to uphold the availability of diverse service providers for consumers,” he said.

“Our in-depth investigation confirmed that a large number of companies will continue to offer their distribution services to European music labels and artists,” he added.

He said the divestment requirement was necessary to prevent potential misuse of sensitive data and to preserve fair competition in the market.

UMG said the acquisition would strengthen its services for independent artists and labels. Nat Pastor and JT Myers, co-chief executives of Virgin Music Group, said the combination would expand support for independent clients.

“Bringing Downtown’s exceptional team and capabilities to Virgin Music Group means greater flexibility and a sharper set of services for independent entrepreneurs, artists and labels,” they said.

They added that the deal would help create a more competitive ecosystem for independent music businesses, combining complementary services and resources.

Downtown Music Holdings chief executive Pieter van Rijn said the transaction would expand opportunities for independent artists and labels globally.

By joining forces with Virgin Music Group, we’re helping build a more diverse, dynamic and opportunity-rich environment, one that amplifies independence and expands the cultural impact of the extraordinary partners we serve,” he said.

Downtown Music Holdings operates a portfolio of music services, including distribution and publishing platforms such as CD Baby, Songtrust and FUGA. The company serves more than 5 000 business clients and over four million creators across 145 countries.

Following the approval, Curve Royalty Systems will remain operational as a separate business until its divestment is completed.

The deal faced significant scrutiny from independent music organisations and industry stakeholders. Groups including IMPALA, which represents independent labels in Europe, had urged regulators to block the transaction, arguing that behavioural remedies would not adequately address competition concerns.

The Commission said its investigation also examined whether the merger could reduce competition in wholesale music distribution services, but concluded that the divestment commitments were sufficient to allow the deal to proceed.

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