NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Exciting line-up for fifth Azgo Festival in Maputo

29 May 2015 - 12:06

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Azgo Festival celebrates its fifth edition in 2015 with some of the finest music from Mozambique, the region and beyond. Azgo is a contemporary celebration of arts and culture in the city of Maputo across two days and nights on 22 and 23 May 2015. The first round of acts to be announced for Azgo Festival 2015 reveals an incredible mix of artists from marrabenta, jazz, pop, house, hip-hop, kuduro and much more!

Mingas

From Mozambique, the line-up boasts hip-hop gurus Duas Caras e Tres Agah, local pop sensations Liloca and Claudio Ismael, both performing for the first time, and Orquestra Djambu taking it back to the roots. Jazz aficionados will be happy with Mingas and Tucan Tucan gracing the stage, and Sergio Muiambo will keeping the party going late into the night.

Mingas is an obligatory reference when talking of Mozambican music. Mingas sings songs of her day-to-day Mozambican life, making a fusion of traditional rhythms, the Marrabenta and world music. During her career spanning more than 30 years, she has worked with some of the biggest names in national and foreign music, including Miriam Makeba, Hugh Masekela, Paul Simon, Harry Belafonte, Chico Antonio and Manu Dibango, among others. Azgo Festival is excited to host Mingas for the first time.

From the region, Azgo Festival welcomes the kings of South African soulful house, Mi Casa, and Swaziland R&B/Pop sensation Floewe.

With their signature sound and unparalleled creativity, South African house group Mi Casa have skyrocketed to success since the day the band formed in early 2010. Based in Johannesburg, the group consists of three members who each form an essential part of the heart and soul of Mi Casa: J’Something, Mi Casa’s vocalist and guitarist, Dr Duda, the producer, and Mo-T, the band’s trumpeter. Mi Casa is one of South Africa’s most loved groups, challenging audiences from around the world to take an interest in a unique sound that is hailed truly African with an undeniable international appeal.

From further afield, Azgo will feature Australian-Ethiopian Jazz ensemble the Black Jesus Experience, the dreamy melodies of Turkish indie-pop group 123 and Swiss multi-instrumentalist Matthias Frey, aka Sweet, Sweet Moon.

Tickets are on sale now here. For all accommodation and transport information please visit our www.azgofestival.com.

Azgo Festival aims to contribute to the artistic and cultural development and to a greater awareness regarding cultural issues in Mozambique and Southern Africa; bring together different crowds and different artists, emerging and well-known and various genres; promote Mozambican cultural heritage and artistic life, position Mozambique as a destination for music lovers; provide opportunities for professionalization in the music industry, to involve local communities and create jobs; and create a platform to promote music exchanges between local and international artists, establishing a network with music events and initiatives in Southern Africa, on the continent and overseas.

Azgo Festival is part of the African Music Festival Network (AMFN) and a founding member of the Firefest Route, which encompasses MTN Bushfire (Swaziland), Sakifo (Reunion Island), HIFA (Zimbabwe); and Fireball (South Africa).

For a glimpse at what's in store, check out the Azgo Festival 2014 official video.

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