NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

diaspora

Féz aiming higher with his jazz music creations

14 Nov 2019 - 14:48

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Féz, is a British Nigerian producer that is already making headlines for his ability in identifying and producing jazz music that will make the listener move, pay attention and be lost in the rhythm.

Féz the producer and jazz music maker

He runs the OL Music production company and has collaborated with Lucy Grimble, Pete McAllen and Jake Isaac. He has also worked with Grammy award-winning bass player Michael League of Snarky Puppy and MOBO Award nominee Femi Temowo.

Born in Ibadan, Southwest Nigeria and grew up in London, Féz whose real name is Feranmi Oguns soon discovered his strong passion for music. At the age of 11, he began to play the drums, and at 16, he went on to study music at The Brit School of Performing Arts. He was later awarded a scholarship to study at Berklee College of Music in Boston Massachusetts. Recently, he has worked with artists including Jorja Smith, Jake Isaac, Lily Moore, JP Cooper and Stefanie Heinzmann.

On 4 November Fez emerged as the winner and recipient of £10 000 ($11 600) in prize money awarded by the Drake YolanDa Fund in London, where he and four other producers were invited to compose and record a song in 45 minutes.

He started out as a drummer in his band The Outlanders. They were featured at shows and festivals around the UK. He has released three singles as Féz, an EP and album with the band.

The producer talks about his plans on taking his music to higher heights and what his fans should be expecting from him in an interview with Music in Africa.

Music In Africa: Who is Féz?

Féz: Féz is a songwriter, producer, musician born in Nigeria and raised in London.

For how long have you been at creating music?

I’ve been working in the music industry for just over a decade. Started off as a session musician (drummer). Prior to that I had been writing songs but was never brave enough to share them with anyone.

There's the prize money you won recently, you want to tell us about it?

Yes, I took part in the Drake/Yolanda award put together by James Drake (philanthropist) and YolanDa Brown (Artist). They started an initiative to shine a light in those who are behind the song we all sing along to.

The competition was specifically for producer/songwriters and the task was to write a verse and a chorus is 15minutes. The finalists will then go in to finish the song in half an hour and the judges crown their favourite song as the winner of which I’m so grateful to have been the first winner of the competition and to be awarded the cash prize.

What do you intend to do with the money?

I’m going to be investing in my music. Prior to the competition, I had been releasing one song a month. The money allows me to fund more co-writing sessions and put together a larger project to release at some point in 2020.

What's the one thing every song must have for it to be a masterpiece?

Authenticity. I think every song has to be authentic both in intention and lyrically too.

What do you really mean, when you say authenticity?

My definition of authenticity is that it has to come from a real place. Maybe an emotion or an experience that had an impact in some capacity. I think that always make art especially music very relatable and increasing the chances of it being a masterpiece.

Which artist do you look forward to working with and why?

I’d love to work with Chris Martin (Coldplay), I think he a phenomenal writer and I’m a huge fan of his music. I’d also love to work with ASA, I think her voice is out of this world.

What is the project you are working on currently?

I’m currently working on a song with a German/Swiss artist called Stefanie Heinzmann. She’s got such a powerful vocal and is such a lovely person.

What should your fans be expecting from you soon? Another album?

Yea I’ve got quite a bit of music coming out.

The song that won the competition ‘Complicated’ is out on the 27 Dec. And I have an instrumental project and features project out next year.

What would you tell an aspiring producer?

I’d tell an aspiring producer to collaborate as much as often as they can and to listen to as much music as possible.

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