NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Filmmaker critical of Egyptian president dies in jail

04 May 2020 - 14:16

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Egyptian filmmaker and music video director Shady Habash died on 2 May of an unspecified illness after spending 26 months at the maximum security Tora prison in Cairo, Egypt. He was 24. 

Shady Habash was imprisoned in March 2018.

The young creative was initially imprisoned without trial in March 2018 for directing the music video for the song 'Balaha' by Egyptian music activist Ramy Essam. The charges against him included being a member of a terrorist group, spreading false news, abuse of social media networks, blasphemy, contempt of religion and insulting the military.

Balaha is an Arabic word for a date and a well-known nickname for President Abdel Fattah el-Sisi, referencing a mentally unstable character in an 1980s Egyptian film.

Released on 26 February, the song was sung in Arabic with English subtitles. The lyrics criticised el-Sisi and called for the departure of the Egyptian leader due to poor economic and political conditions in the country. The video had more than 5 million YouTube views at the time of writing.

After the release of the song, Essam, who is currently exiled in Sweden, wrote: "We wanted to remind everyone of the right to speak, the right to criticise, and the right to dream of change. We wanted to start a dialogue about where Egypt is now and where it could be. Our art is not created to make people fight. It is music, it is how we feel. It is a song.”

Opposition parties in Egypt and human rights organisations around the world have condemned the government and called for an investigation into Habash's death.

Popular Egyptian YouTuber Youssef Hussein wrote: “I cannot believe or comprehend that someone might take revenge on a youth by imprisoning him for two years without trial or medical care so that he would die in prison because of the art he directed."

The director of PEN America’s Artists at Risk Connection programme, Julie Trebault, said: "With Habash’s death, Sisi has sent a disturbing signal to the rest of the world: share views that I disagree with and you might face a de facto death sentence."

Habash's lawyer, Ahmed al-Khawaga, told AFP that a few days before his death, Habash had been unwell and unable to eat or drink. “He was hospitalised, then returned to the prison yesterday evening where he died in the night,” al-Khawaga said.

Late last year, Habash’s friends published a letter on his Facebook page, which he had written in prison, pleading with the public to rally for his release.

"The prison never kills, but loneliness does," the letter said. "I do need your support to avoid death. In the past two years, I tried to resist everything happening to me, alone so I can get out. But I can't any more. I want you to remind them that I am still in prison, remind them that I am forgotten and dying slowly, just for being alone."

Last month, Freemuse released the State of Artistic Freedom 2020 report, which ranks Egypt as one of the top violators of artistic freedom.

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