NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Final line-up for Cape Town Jazz Fest announced

12 Feb 2015 - 09:56

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'Sweet Sixteen' celebrations happened at a recent event in Johannesburg with the announcement of further artists set to join the line-up for the 2015 Cape Town International Jazz Festival (CTIJF) in Cape Town on 27 and 28 March 2015. 

The Mahotella Queens celebrate 50 years. Photo: http://www.griot.de

Concluding the 2015 artist line-up are:

Al Jarreau (USA); Andrea Motis and Joan Chamarro (SPAIN); Cannibal Ox (USA); Dee Dee Bridgewater and Irvin Mayfield with The New Orleans Jazz Orchestra (USA); Donald (SA); Gavin Minter Septet (SA); Heathfield High School Jazz Band (SA); Hugh Masekela and Oliver Mtukudzi (SA/ZIM); Jason Miles presents: To Grover With Love, ft. Gerald Veasley with Marion Meadows and Elan Trotman (USA); Jitsenic (SA); Mike Del Ferro ft. Tony Lakatos (NETHERLANDS/SA); Mike Perry's Tribute To Winston Mankunku (SA); Mr Cheeks (USA); Naima McLean (SA); Prophets Of Da City (SA); Ringo Madlingozi (SA); Pacific Express (SA); The City (SA); Thundercat (USA); Victor Masondo and Friends; A Journey Through Music Celebrating our Rich Heritage and Legacy, ft. Thembi Mtshali (SA); and Yvonne Chaka Chaka (SA).

Previously announced artists:

Amel Larrieux (USA); Basia (Poland/UK); Beatenberg (SA); Bänz Oester and The Rainmakers (SWISS/SA); Claude Cozens Trio (SA); Carlo Mombelli and The Storytellers (SWISS/SA); Courtney Pine presents House Of Legends (UK); Delft Big Band (SA); Dirty Loops (SWEDEN); Gerald Clayton Trio (USA); Melanie Scholtz Presents ‘Our Time’ ft. Jitsvinger (SA); Madala Kunene (SA); Mahotella Queens 50th Anniversary Celebration with Special Guests (SA); Naima Kay (SA); Sons Of Kemet (UK); Sipho ‘Hotstix’ Mabuse (SA); The Brother Moves On (SA); Purbayan Chatterjee & Talvin Singh (INDIA/UK); Wallace Roney Quintet ft. Lenny White & Buster Williams (USA); and Zoe Modiga (SA)

Each year, the CTIJF grows in strength and popularity. This is underlined by the record sell-out of its initial weekend passes released in November last year, and the fact that there are very limited day passes, private hospitality and individual hospitality packages available.

Enjoying the excitement and the unique learning experience of being exposed to a world-class event will be some 200 Grade 11 and 12 students. They will once again participate in the respected training and development workshops and programmes that are the lifeblood of the festival, as much as the artists who perform here.

Commenting on the growth of Africa’s largest multi-stage music festival and its contribution to the progression of the entertainment economy, Minister of Arts & Culture, Nkosinathi Mthethwa said: “We have been associated with the Cape Town International Jazz Festival since its inception and once again, we are proud to be the leading sponsor and supporter of what has come to be known as ‘Africa’s Grandest Gathering’.

“The festival has grown by leaps and bounds to become an important flag bearer for the role and contribution of the performing arts, especially jazz music, in tourism, nation building and, above all, economic development. Over the years, the festival has attracted a growing audience from all corners of the country and the world. Significantly, it has created a platform for indigenous artists to showcase their outstanding talent alongside their international counterparts and to continue to nourish the soul of our people. Few will doubt that this festival continues to make a meaningful contribution to bringing diverse people together, creating employment opportunities and fostering a spirit of economic self-reliance among our musicians and other players in the sector,” added Mthethwa.

Festival Director and co-founder of the CTIJF, Billy Domingo stated: “The Cape Town International Jazz Festival has come a long way in 16 years. Moving with the times, we have evolved from a pure jazz event to being a premier lifestyle festival. Without enjoying what we do, we could not continue to provide an exemplary entertainment experience. The fact that we do still enjoy being in this business, is evidenced by the record selling out of tickets and witnessing first hand, the fun had by those attending – whether for the first time or as a regular.

“Taking account of where we have come from, where we are and acknowledging the incredible team and partners behind the scenes, who make sure the show goes on, we thought we would mix it up a little with a line-up that is a slightly ‘sweeter offering’. We have a little something for everyone - jazz legends, those that are up and coming, musical storytellers, and for the young at heart, some new sounds, some high energy and some serious stamina, which will be needed to keep up with the on-stage musical wizardry!” said Domingo.

Overall, the CTIJF remains true to its founders’ desire, to create a platform where young talent can rub shoulders with seasoned artists, and together they provide the backdrop to musical entertainment that brings people of all ages, race and cultures together, in the appreciation of music and a good night out while building the foundation for tomorrow.

Here’s to the sweetest 'Africa’s Grandest Gathering'!

Tickets are R530 for a day pass and are on sale from www.computicket.com. Visit www.capetownjazzfest.com for updates.

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