NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Five African music videos to check out

21 Aug 2015 - 16:17

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Here are some music videos from different parts of Africa, selected by music lovers just like yourself...

A scene from Bahati's video for ‘Kuchu Kuchu’.

WEST AFRICA (English)
‘There’s a Fire’ - Bez (Nigeria)

“Girl, it’s written in the stars. You know you are the one…” sings Bez on ‘There’s A Fire.’ It’s a typical line from a man wooing a woman, but what’s not so typical is the chorus: “There’s a fire, you can never kill with water. And the rainbow has no colour but the sunlight,” - poetry with hints of the mystical. When he adds, “You will understand,” you know you won’t; neither will the wooed lady. But understanding is overrated - what you want from music is feeling, and that is what you get from Bez, purveyor of the less-heard but no less authentic sounds of Nigeria. His debut album Super Sun (2011) was a low-key success, announcing his presence. His forthcoming sophomore should consolidate that presence. This video to ‘There’s a Fire’ released as the first single from that sophomore may defy understanding, being a collection of apparently unlinked scenes. But in the movement of the female dancer, the worship of the male and the colour scheme, there’s as much poetry as there are mystical elements. It’s advisable not to take the artist’s word for it: You may not understand, just feel!

WEST AFRICA (French)
‘L’amitié et la vérité’ - Cheikh Lô (Senegal) ft. Flavia Coelho & Fixi

WOMEX 2015 laureate, Senegalese star Cheikh Lô, accompanied by the beautiful Brazilian Flavia Coelho and French accordionist Fixi, speak to our emotions with this great song, ‘Degg gui’. His smooth voice mixed with Flavia’s crystalline texture and complemented by Fixi’s accordion, give this song a cosmopolitan touch. They sing about universal themes: friendship and truth.

CENTRAL AFRICA
‘T’aimer’ - Masning Princez (Cameroon)

Masning, a young Cameroonian songstress, has released a new video called ‘T’aimer’, which means ‘loving you’ in French. In this song she declares her love to a special guy. This video with a Zouk tempo conveys love and sensuality. It’s so nice, you’ll want to play it twice!

EAST AFRICA
‘Kuchu Kuchu’ - Bahati ft. Wyre & King Kaka (Kenya)

“How many dreams for today? So many visions on the way…” goes a new song and video that continues to spark controversy among the Kenyan music fraternity. The audience is divided on ‘Kuchu Kuchu’, a song that brings together both secular and gospel artists. Kevin Wyre (aka Wyre), an R&B and reggae musician, Kevin Onimba, a rapper commonly referred to as Kaka Sungura, and Kevin Kioko (aka Bahati) have teamed up in this video that showcases their versatility. For critics, the collaboration is viewed as a way of confusing those with ‘weak faith’. Nevertheless, this is a bold step for the collaborating artists, knowing how it could be perceived among conservative audiences. Depite the controversy, the song has a positive and timely message that encourages young people to rise up and do something meaningful in life.

SOUTHERN AFRICA
‘Best’ - Petite Noir (SA)

Cape Town-based artist Yannick Ilunga, better known by his stage name Petite Noir, remains relatively unknown in South Africa, even though he’s usually travelling the world. His latest video, for the track ‘Best’, is a taste of his forthcoming debut album La Vie Est Belle / Life is Beautiful, which promises to be the first full expression of what he calls ‘Noirwave’, encompassing a ‘new African aesthetic’ and inspired by innovators and legends like Fela Kuti, Tabu Ley and Mos Def. The video is his fifth in the past eight months and follows ‘Down’, which was shot in Lumumbashi, DRC. The music is far from your typical Afro-pop, but one can’t help but be drawn in by the video’s powerful, hypnotic African imagery. It was directed by Trayvon Owens, with art direction by Rochelle Nembhard, who recently told Stereogum: “I wanted to break all boundaries in how we portrayed the continent and her people. The video showcases the beauty of the continent, the richness in her landscapes, the sacredness of her culture, the immense diversity of her tribes and the natural inherent beauty and style of her people.”

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