NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Five questions for Nigerian musician Lil Gaga

26 Apr 2024 - 08:15

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Ghana-based Nigerian singer-songwriter, producer, and sound engineer Lil Gaga gained mainstream notice in 2010 with ‘Show Me’. He hasn’t looked back since. Formerly trading by the stage name Gasman, the musician traces his career beginnings to Port Harcourt, and explores an array of genres, with a main focus on the Afrobeats, Afropop, R&B and world genres.

Lil Gaga.

In a recent interview with Music In Africa for our Emerging series, the musician highlighted his evolving sound, the influence of his Nigerian heritage and his unique path as an independent artist.

MUSIC IN AFRICA: What influences shaped your music and what inspired you to pursue a music career?

LIL GAGA: I grew up in the 1980s listening to hip hop, but as a child I didn’t fully connect with much of the music around me. Instead, I found greater enjoyment in classical music and the music featured in videogames. Throughout my life, my musical tastes have never been swayed by what’s popular. Rather, I’ve always followed what resonates with me on a personal level.

How does your Nigerian heritage influence your music, despite living in Ghana?

The Nigerian music industry is considered to be one of the most vibrant and influential in Africa, but it is difficult to determine definitively whether it is the strongest or best. Ghana and South Africa are also known for their vibrant music industries, and each country has its unique styles, genres and artists. Despite living in Ghana, my Nigerian heritage profoundly influences my music. However, I often incorporate Ghanaian elements into my songs.

What challenges have you faced as an independent artist, and how have you navigated the industry thus far?

Financial constraints and lack of support have been significant challenges. Despite these hurdles, I persevere by prioritising music production over personal expenses and relentlessly promote my work. Navigating the industry as an independent artist requires creativity, hard work and strategic planning. I focus on honing my craft, networking, managing finances efficiently and exploring innovative ways to monetise my music.

Can you walk us through your creative process when writing and producing music?

When I sit down to write, I often find myself delving into my personal experiences, particularly for love songs. I strive not only for authenticity but also for relatability. My goal, at the end of the day, is to forge a powerful connection through shared experiences and emotions. My song ‘Life’, for instance, was inspired by my struggles and the feeling of being let down by people when I needed them most. It reflects my desire to overcome obstacles and help others in similar situations. I hope the record inspires listeners to persevere through challenges and remain true to themselves. It’s about resilience and celebrating victories with those who have supported you throughout your journey.

Are there any upcoming projects or collaborations that you’re excited about and how do you see your music evolving in the future?

I just released a new single titled ‘Crazy Love’. Beyond that, I aspire to collaborate with the likes of Stonebwoy and Duncan Mighty. I envision my music transcending borders and reaching global audiences.

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