NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Flee to release electro compilation with Kenyan acts

30 Jun 2020 - 17:29

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Flee, a cultural platform dedicated to the documentation and enhancement of hybrid cultures, is set to release a seven-track compilation titled Extra Muros – Kenya through its recently launched record label Extra Muros. 

An Extra Muros joint listening session in Nairobi, Kenya. Photo: Olivier Duport

Extra Muros – Kenya will be out on 4 September along with a documentary on the daily life and challenges of alternative electronic musicians in Kenya.

The compilation features music by Kenya’s Karun, Jinku, KMRU and Slikback, as well as Pier Alfeo (Italy), Tite (France) and FlexFab (China).

The music was produced and recorded at Elephant Studios in Nairobi during the first edition of Flee’s Extra Muros international residency programme for experimental electronic music.

The artists first gathered in Nairobi in September 2019 under the musical direction of Flee founders Olivier Duport, Alan Marzo and Carl Ahnebrink. For three weeks they participated in a deeply collaborative creative process, learning about each other’s musical languages, sharing original compositions, and recording new music. The residency culminated in a series of live performances in the Kenyan cities of Nairobi, Lamu and Mombasa, and at the 2019 edition of Nyege Nyege Festival in Jinja, Uganda.

"Extra Muros – Kenya reflects the new movements of contemporary electronic music in Kenya,” Duport told Music In Africa. “It is also a very unique moment and process born from our very first artist residency programme. You can tell how the different artists from diverse geographical, cultural and artistic backgrounds blended and immersed themselves in another context, which makes for a unique album.

“It was always our ambition with this project to provoke new sonorities by enabling meetings that would have maybe not occurred otherwise. I know that several of the artists involved also made some new collaborations together, which is always good to hear.”

KMRU said the residency was a well-rounded artistic experience for all the participants. “The compilation stands out in its diverse scope of tracks, and that’s exciting,” he said. "I am satisfied with the outcome of all our works. The whole process of creating the tracks with Pier and Tite was amazing, and I am looking forward to future collaborations and performances with the artists.”

The artists featured on the compilation are from the label’s current roster, which Duport said would eventually include emerging artists from other countries.

“We hope to build up the capacities of the residency and label to be able to welcome more and more young and off-the-radar musicians and producers who wouldn’t have been allowed such work conditions and experiences otherwise, and to represent a different voice in production,” he said.

The compilation’s cover art shows some of the landmarks the participants came to know during the residency. The numbers on the cover are GPS coordinates of the exact position of Elephant Studios.

Asked whether a 2020 residency would take place, Duport said: “Things are quite shaky and uncertain, but we’re still optimistic and hoping for a new edition of the programme between October or November. Given the fact that a second wave of the coronavirus is still a reasonable threat, we will be on the lookout to see if this can affect us with the international travel required by the programme.”

Flee’s previous work in Kenya includes Benga Music – A Signature Genre From Kenya and Benga, A Kenyan Kaleidoscope – a book that investigates the future of the benga genre.

Pre-order Extra Muros – Kenya here.

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