NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Fleur du Cap Theatre Awards 2024 in SA: All the nominees

22 Feb 2024 - 12:05

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The nominees for the 2024 edition of Fleur du Cap Theatre Awards have been announced ahead of the gala ceremony at the Baxter Theatre Centre in Cape Town, South Africa, on 17 March.

The Promise On Stage cast. Photo: Claude Barnardo

The awards are designed to celebrate outstanding contributions to local theatre across 23 categories. They range from performing to directing, scriptwriting, composing and puppetry, as well as exceptional stage, sound, lighting and costume design.

A total of 66 plays, musicals and music theatre productions were assessed by the judges. There were also 10 productions for children and young adults, as well as six operas, all mounted between January and December 2023. In addition, 140 students from eight institutions in 54 productions were considered for the Best Student category.

The awards ceremony will be live streamed on social media platforms. In addition to the category winners, the recipients of the Encore Award, the Innovation in Theatre Award, and the Lifetime Achievement Award will be announced at the ceremony.

“In 2023, we saw theatre questioning societal norms, challenging perspectives and testing the rules,” Fleur du Cap Theatre Awards panel chair Africa Melane said. “All this, while entertaining audiences and offering them some escape, even if only briefly, as they immerse themselves in a different world. It truly was a year of theatrical excellence.”

Student Panel convenor said: “The calibre of work presented by students continues to astound us. Several students have leapt at the opportunities afforded to them to showcase their work to the public before graduating and the number of students cast in professional productions in their final year of study is a testament to their hard work and the commitment of the teaching staff.”

Below are the nominees:

Best Performance by a Lead Actor In a Musical or Music Theatre Show

  • Craig Urbani – The Sound of Music | Captain Von Trapp
  • Craig Urbani – We Will Rock You | Khashoggi
  • Jethro Tait – The Buddy Holly Story | Buddy Holly
  • Stuart Brown – We Will Rock You | Galileo
  • Tiaan Rautenbach – We Will Rock You | Buddy

Best Performance by a Lead Actress In a Musical or Music Theatre Show

  • Awethu Hleli – Ziyana | Diana
  • Brittany Smith – The Sound of Music | Maria Rainer
  • Kerry Hiles – A Star is Born – The Rise and Fall of Judy Garland | Narrator
  • Londiwe Dhlomo – We Will Rock You | Killer Queen
  • Nicolette Fernandes – We Will Rock You | Scaramouche

Best Performance by a Supporting Actress In a Musical or Music Theatre Show

  • Bethany Dickson – The Buddy Holly Story | Mary Lou Sokolof, Vi Petty
  • Nadia Beukes – The Sound of Music | Baroness Schraeder
  • Noluthando Mili – Ziyana | Grandmother
  • Sindiswa Ndlovu – The Buddy Holly Story | Marlena Madison, Shirley
  • Tankiso Mamabolo – Ziyana | Mother

Best Sound Design, Original Music, Soundscape or Live Performance

  • Charl-Johan Lingenfelder | The Promise – On Stage | Sound Design and Original Score
  • Dawid Wolfswinkel – Die fel omstrede kroon van Edward II en Gaveston | Sound Design
  • Loki Rothman – Die moeder | Soundtrack
  • Neo Muyanga – Oedipus at Colonus #aftersophocles | Soundscape
  • Zimbini Makwetu – Ziyana | Original Music

Best Performance By a Supporting Actor In a Musical or Music Theatre Show

  • Chad Baai – The Buddy Holly Story | Ritchie Valens, KDAV Engineer
  • Gianluca Gironi – The Buddy Holly Story | Jerry Allison
  • Schoeman Smit – The Sound of Music | Franz
  • William Berger – The Sound of Music | Max Detweiler
  • Zolani Shangase – We Will Rock You | Ensemble

Best Performance in an Opera – Male

  • Conroy Scott – Tosca | Baron Scarpia
  • Levy Sekgapane – The Pearl Fishers | Nadir
  • Lukhanyo Moyake – La Traviata | Alfredo Germont
  • Lukhanyo Moyake – Tosca | Mario Cavaradossi
  • Luvo Maranti – The Tales of Hoffmann | Hoffmann

Best Performance in an Opera – Female

  • Brittany Smith – La Traviata | Violetta Valéry
  • Janelle Visagie – Cendrillon | Maguelonne
  • Molly Dzangare – The Tales of Hoffmann | Giulietta
  • Nobulumko Mngxekeza – Tosca | Floria Tosca
  • Setsoane Jeannette Ntseki – L’inganno Felice | Isabella

Best Set Design

  • Birrie le Roux – Die moeder
  • Denis Hutchinson – The Sound of Music
  • Joshua Lindberg – The Promise On Stage
  • Marcel Meyer – Hamlet (Abrahamse and Meyer Productions)
  • Marthinus Basson – Die fel omstrede kroon van Edward II en Gaveston

Best Student Prize

  • Abigail Jones – University of Stellenbosch
  • Alyssa van Reenen – ACT Cape Town
  • Angelique Viaan Filter – University of Stellenbosch
  • Angelo Elton Bergh – University of Stellenbosch
  • Asanele Ngowapi – AFDA
  • Gianluca Gironi – LAMTA
  • Leah Mari – LAMTA
  • Nichola Viviers – University of Stellenbosch
  • Siyamthanda Bangani – ACT Cape Town
  • Tumelo Mogashoa – LAMTA

Best New South African Script

  • Ayanda kaNobakabona Hans – Tiro’s Toughloop Testimony
  • Brent Palmer – King George
  • Damon Galgut and Sylvaine Strike – The Promise: On Stage
  • Ricardo Arendse – Die halwe huis
  • Tiisetso Mashifane waNoni – Delela

Best New Director

  • Amée Lekas – African Gothic (Drama)
  • Daniel Newton – The Rangers (Drama)
  • Jeff Brooker – Every Brilliant Thing (Solo Show)
  • Jessie Diepeveen – Patisserie Femme (Drama)
  • Mfundo Zono – Tiro’s Toughloop Testimony (Solo Show)

Best Theatre Production for Children and Young People

  • Pumpkin Finds Her Kindness – The Play | Bianca Flanders-Balie
  • Surge – Magnet Theatre Youth Company
  • The King of Broken Things – Theatresmiths

Best Performance by an Ensemble

  • My Hart is ’n muurbal (en ander gedagtes) – Wynand Kotzé and Wian Taljaard
  • Oedipus at Colonus #aftersophocles – Buhle T Stefane, Azola Mkhabile, Mihlali Bele, Lindokuhle Melaphi, Thabo Mkenene, Kuhle Myathaza, Nosiphiwo Ndabeni, Siphenathi Siqwayi, Wendy Mrali, Moluphi Lepeli and Sipho Kalako
  • Of Loss – Handle with Care – Awethu Hleli, Nolufefe Ntshuntshe, Mphumzi Nontshinga, Lyle October and Tamzin Williams
  • Patisserie Femme – Liphelo Matthews and Nomfundo Selepe

Best Performance in a Revue, Cabaret or Solo Show

  • Ayanda kaNobakabona Hans – Tiro’s Toughloop Testimony | Onkgopotse Tiro
  • Daniel Geddes – Cruise | Michael Spencer
  • Kim Blanche Adonis – My Fellow South Africans | Various roles Marlo Minnaar | Die halwe huis | Bumper Jansen
  • Sue Pam-Grant – Why do moths fly like crazy fucks in the night | Louise Bourgeois

Best Puppetry Design

  • Janni Younge – Hamlet (Janni Younge)
  • Luyanda Nogodlwana – Maxeke: This Work is Not for Yourselves

Best Lighting Design

  • Jane Gosnell – Cruise
  • Joshua Lindberg – The Promise On Stage
  • Nicolaas de Jongh – Die fel omstrede kroon van Edward II en Gaveston
  • Themba Stewart and Mark Fleishman – Oedipus at Colonus #aftersophocles
  • Wolf Britz – Die moeder

Best Costume Design

  • Marthinus Basson – Die fel omstrede kroon van Edward II en Gaveston
  • Marcel Meyer – Hamlet (Abrahamse and Meyer Productions)
  • Michaeline Wessels – A Midsummer Night’s Dream
  • Sarah Mercadé – We Will Rock You
  • Roderick Jaipal, Edit Atelier – Oedipus at Colonus #aftersophocles

Best Performance by a Supporting Actor in a Play

  • André Roothman – Die fel omstrede kroon van Edward II en Gaveston | Ou Koning, Ou Mortimer
  • Mark Elderkin – A Midsummer Night’s Dream | Bottom
  • Siyamthanda Sinani – Hamlet (Janni Younge) | Hamlet, Laertes
  • Sven Ruygrok – The Beauty Queen of Leenane | Ray Dooley
  • Wilhelm van der Walt – Die fel omstrede kroon van Edward II en Gaveston | Jong Mortimer

Best Performance by a Supporting Actress in a Play

  • Jennifer Steyn – The Beauty Queen of Leenane | Mag Folan
  • Jenny Stead – The Promise – On Stage | Astrid Swart and other roles
  • Kate Normington – The Promise – On Stage | Rachel Swart and other roles
  • Tiisetso Mashifane waNoni – Delela | Production technician
  • Wendy Mrali – Hamba Nam Ndipheleke | Blaze

Best Performance by a Lead Actor in a Play

  • Andrew Buckland – Oedipus at Colonus #aftersophocles | Oedipus
  • Brent Palmer – King George | George Megalos
  • Edwin van der Walt – Die fel omstrede kroon van Edward II en Gaveston | Edward II
  • Rob van Vuuren – The Promise – On Stage | Anton Swart and other roles
  • Stefan Erasmus – Orphans | Phillip

Best Performance by a Lead Actress in a Play

  • Chuma Sopotela | The Promise – On Stage | Salome and other roles
  • Faniswa Yisa – Oedipus at Colonus #aftersophocles | Theseus
  • Fiona Ramsay – Hansard | Diana Hesketh
  • Katlego Lebogang – Delela | Letsatsi “Lee” Letseka
  • Sandra Prinsloo – Die moeder | Anne

Best Director

  • Christiaan Olwagen – Die moeder
  • Mark Fleishman – Oedipus at Colonus #aftersophocles
  • Marthinus Basson – Die fel omstrede kroon van Edward II en Gaveston
  • Steven Stead – The Sound of Music
  • Sylvaine Strike – The Promise (On Stage)

Best Production

  • Die fel omstrede kroon van Edward II en Gaveston – Raminidam in association with Novieguide
  • Die moeder – US Woordfees
  • Oedipus at Colonus #aftersophocles – Baxter Theatre in collaboration with Magnet Theatre
  • The Promise – On Stage | Derek Lubner, Phillip Basset and Cass Basset
  • The Sound of Music – Pieter Toerien Productions with Cape Town Opera

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