NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Fleur Du Cap Theatre Awards 2025 in SA: All the nominees

17 Feb 2025 - 15:45

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The nominees for the 2025 edition of Fleur Du Cap Theatre Awards were announced ahead of the awards ceremony at Cape Town Stadium, on 23 March.

A total of 49 plays, musicals and music theatre shows were eligible for the 23 competitive categories.

A total of 49 plays, musicals and music theatre shows were eligible for the 23 competitive categories ranging from performance to directing, scriptwriting, composing and puppetry, as well as exceptional stage, sound, lighting and costume design.

The judges also reviewed 12 productions for children and young adults, as well as seven opera productions. In addition, a remarkable 175 students from seven institutions, performing in over 50 productions, were considered for the most promising student prize.

“This year’s nominations are a true reflection of the quality and diversity of talent, storytelling, and engagement we have witnessed in Cape Town over the past year,” chairperson of the panel of judges Africa Melane, said. “It’s clear that there are no shortcuts to achieving excellence. The judges were once again left in awe. Congratulations to all the nominees.”

Below is the full list of nominees:

Best Sound Design, Original Music, Soundscape, or Live Performance

  • Chantal Willie-Petersen for live performance – Unruly
  • Jannous Aukema for sound design and original music – Droomwerk
  • Kyle Shepherd for original music – Othello
  • Neo Muyanga for original music – Manje! Manje!
  • Philip Miller for original music – NKOLI: The Vogue-Opera

Best Performance in an Opera, Male

  • Conroy Scott as Gianni Schicchi – Gianni Schicchi
  • Conroy Scott as Enrico – Lucia di Lammermoor
  • Lukhanyo Moyake as Edgardo – Lucia di Lammermoor
  • Sandile Zitha as Ubaldo – Dalinda
  • Thando Zwane as Acmet – Dalinda

Best Performance in an Opera, Female

  • Brittany Smith as Lucia – Lucia di Lammermoor
  • Minette du Toit-Pearce as The Princess – Suor Angelica
  • Nobulumko Mngxekeza as Sister Angelica – Suor Angelica
  • Nontobeko Bhengu as Dalinda – Dalinda
  • Zizipho Funzo as Governess – The Turn of the Screw

Best Performance by a Supporting Actor in a Musical or Music Theatre Show

  • André Terblanché as Josef Marais – Ver in die Wêreld Kittie
  • Brendan van Rhyn as Lurch – The Addams Family: The Musical
  • Dean Balie as Ernest Logan – Orpheus McAdoo
  • Graham Hopkins as Colonel Pickering – My Fair Lady
  • Yahto Kraft as Uncle Fester – The Addams Family: The Musical

Best Performance by a Supporting Actress in a Musical or Music Theatre Show

  • Adrienne Pearce as Mrs Higgins – My Fair Lady
  • Alexis Petersen as Lucy Moten – Orpheus McAdoo
  • Bethany Dickson as Alice Beineke – The Addams Family: The Musical
  • Candice van Litsenborgh as Grandma – The Addams Family: The Musical
  • Jenny Stead as Rosa de Miranda – Ver in die Wêreld Kittie

Best Performance by a Lead Actor in a Musical or Music Theatre Show

  • Conroy Scott as Orpheus McAdoo – Orpheus McAdoo
  • Craig Urbani as Henry Higgins – My Fair Lady
  • Dean Balie as Koos Heuningbek – Ver in die Wêreld Kittie
  • Marcel Meyer as Sweeney Todd – Sweeney Todd the Demon Barber of Fleet Street
  • Niza Jay as Emcee – NKOLI: The Vogue-Opera

Best Performance by a Lead Actress in a Musical or Music Theatre Show

  • Ann Masina as Mrs Nkoli – NKOLI: The Vogue-Opera
  • Brittany Smith as Mattie Allen – Orpheus McAdoo
  • Leah Mari as Eliza Doolittle – My Fair Lady
  • Rushney Ferguson as Kittie Jaftha – Ver in die Wêreld Kittie
  • Samantha Peo as Morticia Addams – The Addams Family: The Musical

Most Promising Student

  • Dylan Janse Van Rensburg – LAMTA
  • Elizabeth-Ann Fosu – AFDA
  • Jayden Dickson – LAMTA
  • Mfuneli Ntumbuka – CTDPS
  • Nichola Viviers – Stellenbosch University
  • Oliver Carnegie – CTDPS
  • Seth Daniel Cloete – CTDPS
  • Tshepiso Modise – AFDA

Best New South African Script

  • Jennie Reznek and Mwenya Kabwe – Manje! Manje!
  • Mlindeli Zondi – Off Balance
  • Pieter Odendaal – Droomwerk
  • Rosalind Butler – Expelled
  • Tiisetso Mashifane wa Noni – Neighbourhood

Best New Director

  • Aidan Scott – The Dumb Waiter
  • Lara Toselli – A Doll’s Life
  • Marianne Thamm – Round of Applause - South Africa Still Standing
  • Sinenhlanhla Mgeyi – Text Me When You Arrive
  • Tankiso Mamabolo – Don’t Believe A Word I Say

Best Theatre Production for Children and Young Adults

  • Braam en die Engel
  • Glimmer
  • Kipper and the Olympic Flame / Vlooi en die Olimpiese Vlam
  • Pampoenpit se Groen Gevoel
  • The Little Mermaid

Best Performance by an Ensemble

  • Benjamin Stannard, Che-Jean Jupp, Gabriella Knight, Gemma Bisseker, Gerard van Rooyen, Hannah Norcott, Jasmine Minter, Jayden Dickson, Jude Bunyan, Killian Blerk, Nandipa Nyivana, Noa Duckitt, Skye Themeda Goss, Tatum Coleman, Tjaart van der Walt, Tumelo Mogashoa – Spring Awakening
  • Azola Mkhabile, Buhle T. Stefane, Emmanuel Ntsamba, Karabo Hope Banda, Lusanda Soboyise, Melusi Molefe, Mihlali Bele, Sanele Phillip, Yvonne Msebenzi – Manje! Manje!
  • Awethu Hleli, Carla Smith, Carlo Daniels, Jock Kleynhans, Lyle October, Nolufefe Ntshuntshe, Tamzin Williams – Neighbourhood
  • Awethu Hleli, Brent Palmer, Cassiel Eaton-Winnik, Carlo Daniels, Lyle October, Matthew Vey, Nolufefe Ntshuntshe, Tamzin Williams – Metamorphoses
  • Kyla Davis, Lisa Overy, Roberto Pombo – The Agents

Best Performance in a Revue, Cabaret, and One-Person Show

  • Andrew Buckland – The Ugly Noo Noo
  • Bo Petersen – Pieces of Me
  • Erika Breytenbach-Marais – The Good Dad
  • Fiona Ramsay – Blonde Poison
  • Shannon Esra – My Left Breast

Best Puppetry Design

  • Marthinus Basson and Elana Snyman – The Addams Family: The Musical
  • Michael Curry – Disney - The Magic Box

Best Lighting Design

  • Denis Hutchinson – My Fair Lady
  • Franky Steyn – Metamorphoses
  • Mark Fleishman and Themba Stewart – Manje! Manje!
  • Niall Griffin – Spring Awakening
  • Patrick Curtis – Othello

Best Set Design

  • Craig Leo – Manje! Manje!
  • Gerhard Marx – Othello
  • Greg King – My Fair Lady
  • Jaco Bouwer – Die Vegetariër
  • Marthinus Basson and Nicolaas de Jongh – The Addams Family: The Musical
  • Patrick Curtis – Metamorphoses

Best Costume Design

  • Birrie Le Roux and Sikelela Nomvete aka Mr Allofit – NKOLI: The Vogue-Opera
  • Bridget Baker – Die Vegetariër
  • Marthinus Basson – The Addams Family: The Musical
  • Michaeline Wessels – Neighbourhood
  • Neil Stuart Harris, Andrew Botha, and Maritha Visagie – My Fair Lady

Best Performance by a Supporting Actor in a Play

  • Aidan Scott as Mozart – Amadeus
  • Carlo Daniels as Cassio – Othello
  • Gerben Kamper as Oupa – Droomwerk
  • Mark Elderkin as Emperor – Amadeus
  • Wessel Pretorius as Roderigo – Othello

Best Performance by a Supporting Actress in a Play

  • Faniswa Yisa as Emilia – Othello
  • Hannah Borthwick as Nurse – Romeo and Juliet
  • Rehane Abrahams as Mercutio and Lady Montague – Romeo and Juliet
  • Sarah Wolhuter as Stella Kowalski – A Streetcar Named Desire
  • Tinarie van Wyk Loots as Suster and Ma – Die Vegetariër

Best Director

  • Garth Tavares – The Addams Family: The Musical
  • Jaco Bouwer – Die Vegetariër
  • Steven Stead – Metamorphoses
  • Steven Stead – My Fair Lady
  • Sylvaine Strike – Spring Awakening

Best Production

  • Manje! Manje! – Magnet Theatre
  • Metamorphoses – Baxter Theatre
  • My Fair Lady – Pieter Toerien Productions with Cape Town Opera
  • Spring Awakening – Anton Luitingh and Duane Alexander (LAMTA)
  • Unruly – Empatheatre

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