NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Former Fela Kuti manager to demystify artist management at ACCES 2018

20 Sep 2018 - 09:35

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At the upcoming Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES), which takes place from 15 to 17 November in Nairobi, Rikki Stein would be unpacking artist management. 

Rikki Stein will talk about artist management at the 2018  Music In Africa Conference for Collaborations, Exchange and Showcases.

The former Fela manager has had a long career in the field, having managed the late Afrobeat artist from 1983 to 1997.

In the late 1980s, Stein represented several African acts and organised international tours for a number of these acts. He was also personal manager to the Guinean national dance company Les Ballet Africains. "A diligent manager can achieve results that cannot be gotten elsewhere," he once told an interviewer.

Stein has kept in touch with the music industry on the continent, seeking ways to bridge the gap between Africa artists and the global music audience. He has brokered several lucrative deals involving the Fela catalogue and is involved in the annual Felabration festival, along with advising the All Africa Music Awards (AFRIMA), the continental award scheme now in its fifth year.

At the ACCES conference, which takes place at the Kenya National Theatre, Stein would be sharing insights gained from his vast experience. Stein will be joined by prolific Cameroonian musician and entrepreneur Blick Bassy.

The singer-songwriter toured his country for a decade with his former band Macase and went solo after emigrating to Paris, France, where he released his first solo album, Leman, in 2009. His sophomore, Hongo Calling, followed in 2011.

Four years later, Bassy's song 'Kiki' from Ako, his third album, was used by the American technology company Apple in a global advertising campaign for the iPhone 6. Ako, said Bassy, was influenced by the American blues artist Skip James. A frequently touring artist, Bassy played the Vancouver Folk Music Festival in July.

Together, Stein and Bassy bring an extensive knowledge of the local and international scenes from the perspectives of artist manager and artist to the 2018 ACCES event. Attendees will be encouraged to interact with the pair during a session that is certain to be enlightening.

ACCES is a pan-African event for music industry players to exchange ideas, discover new talent and create business linkages. Held in a different African city every year, ACCES attracts active music industry players from across the globe.

The ACCES 2018 will offer a dynamic programme including training workshops, panel discussions, presentations, networking sessions, exhibitions, showcases, concerts and visits to key music industry hubs in Nairobi. This year, iconic Kenyan musician and activist Eric Wainaina has been confirmed as the keynote speaker, following in the footsteps of last year's keynote speaker Baaba Maal.

ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, Alliance Francaise, Kenya’s Permanent Presidential Music Commission (PPMC), MagicalKenya and the Kenya Cultural Centre.

For more information, including registration and sponsorship opportunities, visit the ACCES website or download the ACCES 2018 brochure here.

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