NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Four African acts among first 23 chosen to showcase at WOMEX in Spain

22 Jun 2016 - 14:58

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With this year’s World Music Expo (WOMEX) set to take place from 19 to 23 October in Santiago de Compostela in Spain, organisers Piranha Arts have revealed the first artists who will showcase at this year's event.

Trio Da Kali from Mali have been selected to showcase at WOMEX in Spain.

Following a call for applications earlier this year, this year's selection will feature around 60 acts coming from all regions of the globe. The first 23 acts to be confirmed for the WOMEX Showcase Festival represent a wide range of musical colours, ranging from traditional to the latest popular trends.

Of the first 23 artists announced to showcase to the expected 2 500 delegates at WOMEX this year, only four are from Africa. They are Mauritania’s ‘desert blues’ singer Noura Mint Seymali, who earlier this year represented Africa at SXSW in the USA; Mali’s 21st century griots Trio Da Kali; Belgium-based Tunisian band Bargou 08, who bring ‘electrotraditions’ from the mountains of the Maghreb; and Angolan-Portuguese outfit Throes + The Shine, who fuse kuduro with rock and electronic influences.

These acts will join others from around the world: Bixiga 70 (Brazil), Black String (South Korea), C4 Trio (Venezuela), Delgres (Guadeloupe/France), Dudu Tassa & The Kuwaitis (Israel), Gisela João (Portugal), Gulzoda (Uzbekistan), Maïa Barouh (Japan/UK), New York Gypsy All Stars (Macedonia/Turkey/Greece/USA), Okra Playground (Finland), Oligarkh (Russia), Ponk (Czech Republic), Puerto Candelaria (Colombia), Radio Cos (Spain), The East Pointers (Canada), Trad.Attack! (Estonia), Tulegur (China), United Vibrations (UK) and Vassvik (Norway).

"It was an exciting challenge to pull together the showcase selection for this year's WOMEX and I'm thrilled with the diversity of artists and styles that people will be able to enjoy in Santiago," said Oliver Carruthers, Head of Programming at Rich Mix and a member of the Seven Samurai, the international, independent jury of world music experts who had the difficult task of selecting only a tiny percentage of all the high-quality submissions from 120 countries to make up the official WOMEX showcase selection

According to WOMEX director Alexander Walter, "The brilliant jury chose a wide range of musical approaches for the 2016 selection. Being perhaps the most diverse of all music meetings, our showcases overlap with so many other scenes – it really is a celebration of musical adventure. For me this is a testimony to how alive the global music scene is nowadays and how it is developing. We consistently see the showcasers from last year touring around the world now, and I am glad we can introduce yet another rack of great artists to the world's stages and audiences this year. The tremendously good feedback from 2014, the many proposals we received earlier this year and the fact that our registration numbers are good, let me really look forward to October all the more!"

For updates and more details on the Showcase Festival, visit the WOMEX website.

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