NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Freedom and unity to take centre stage at Joburg leg of Paris / New York Heritage Fest

01 Mar 2022 - 16:32

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The Johannesburg edition of Paris / New York Heritage Festival (PNYH) will be held on Constitution Hill from 3 to 5 March. The event will feature an array of music performances, networking, conversations and exchanges running under the theme Human[U]nity. It forms part of a series of events in Paris, New York, Vancouver, Montreal and Los Angeles.

South African artist Simmy is among the artists who will perform at the event.

The festival is divided into three segments: the Meet and Greet session (3 March), Conversations and Discussions (4 March) and Concerts, Collaborations and Local Market (5 March).

Confirmed musical acts include Simmy (SA), Msaki (SA), The Brother Moves On (SA), Gontse Makhene (SA), Cool Affair (SA), 2lani the Warrior (SA), Shamrock Guitor (SA), Malcolm Jiyane (SA), Bholoja (eSwatini) and students from the Morris Isaacson Centre for Music in Soweto. They will be joined by Raashan Ahmad (US) and DjeuhDjoah & Lieutenant Nicholson (France). All the artists will perform at the Women’s Jail on 5 March.

As part of the programme, the event will feature the Freedom Songs Project, an interactive live collaborative performance directed by Siyabonga Mthembu and Mthunzi Mvubu. The project seeks to honour the South African musical tradition and will feature a performance by the Brother Moves On alongside Msaki, Gontse Makhene, Malcolm Jiyane and Bholoja.

“Having had the struggle of COVID-19 for the past two years, we thought now would be the time for such a project, which champions freedom through song and which creates an outlet for the struggles of the artists, past, present and future,” PNYH founder and director Benjamin Levy told Music In Africa. “This is a unique project related to humanity.”

He said the Johannesburg edition would be dedicated to Africa and seek to retrace culture to its roots. “When I met our PNYH Joburg co-director Nicky B at PNYH Paris in 2019, I talked to her about how it was important that the festival has a leg in Africa because this is where the heritage comes from. What we want from the Joburg edition is for people to be able to come either to party or to hear the talks and to hear the theme. Coming to Joburg was very important for us because the festival’s concept and meaning is to pay homage to the music of the African diaspora from Africa to the US and then from the US to Europe.”

The event, Levy said, would be curated around artistic expressions on the theme of humanity. “Constitution Hill is related to the subject and we wanted to create something bigger and better for people to get them together. We asked Siyabonga Mthembu to put a lot of different artists together through the Freedom Songs Project. Constitution Hill is a place where people have struggled, it’s a bastion of hope and renewal as the South African Constitution was signed there after the apartheid. We like to have a place that already gives a direction to the subject and in this way it is certainly one of the best places to serve that purpose.”

The Conversations and Exchanges segment of the programme will take centre stage at the festival, with Kaya FM presenter Nicky B facilitating the sessions, which will explore the theme of Human[U]nity and feature guest speakers including Levy, Flame Studios director Lance McCormick, percussionist and music therapist Azah, Viva Nation Radio’s Itumeleng Mosadi, DJ and rapper Raashan, trumpeter Mandla Mlangeni and South African Creative Industries Incubator project manager Leote Taylor.

“Alongside the Freedom Songs Project, we also decided to do the talks on Friday with people who have shown initiative for communities that bring people together and bring healing through music,” Levy said.

Topics under discussion will include The Hill Music Development Arc, The Sacred Role and Significance of the Drum in Communities and New Models and Initiatives for the Music Industry, among others.

The public can register for the Conversations and Discussions sessions here.

Tickets to the event can be purchased via Howler. Find more about the Paris / New York Heritage Festival on the official website.

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