NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Germany ready to host Europe‘s biggest African music festival

29 May 2015 - 13:08

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The German town of Würzburg is gearing to host the 27th edition of its International Africa Festival - considered by many to be the largest and oldest festival for African music and culture in Europe - from 4 to 7 June.

Photo: Bugs Steffen

Since it began in 1989, more than 6000 musicians and artists from 56 African and Caribbean countries have performed in Würzburg so far - and about over two million visitors have heard, seen and tasted the cultural wealth of the African continent. Together they have ensured that this festival is always a peaceful and lively get-together.

This year’s edition will take festival-goers on a trip to the Indian Ocean with a special focus on Zanzibar, the vibrant island off the Tanzanian coast that has for centuries been a link between Asia and Africa, with a proud musical tradition of its own. The festival will introduce Matona and the Zanzibar Taarab Ensemble – one of the best groups of the genre – to European audiences. Zanzibari president Dr. Ali Mohamed Shein will be a special guest of honour and will come to Würzburg for the opening of the festival.

The festival kicks off on Thursday 4 June with performances by Moroccan artist Oum, promoting her first international album, ‘Soul of Morocco’, and legendary German saxophonist Klaus Doldinger’s collaborative project 'Passport to Morocco'. On Friday 5 June, the stage will be headlined by Paris-based, Guinean singer and guitarist Moh! Kouyate with his special guest Mariama from Sierra Leone, who started her career in the band of Nigerian star Ade Bantu. Also on the bill that night will be Malian singer/guitarist Habib Koité with his band Bamada, who return to the Africa Festival two years after their last performance.

Saturday 6 June will see performances by Zambia’s rising star Namvula, still riding high on the success of her debut album ‘Shiwezwa’, performing for the first time in Germany. That night will also see South African Afro-soul star Lira return to the Würzburg stage after her debut at the Africa Festival in 2009. On the final day of the festival, Sunday 7 June, Moroccan six-piece band Bob Maghrib will bring their signature blend of ‘Gnawa Reggae’ to the festival, re-interpreting Bob Marley’s reggae classics on traditional Moroccan instruments. Also performing on Sunday will be Paris-based Cape Verdean reggae princess Mo’Kalamity and her band The Wizards, playing tracks from their new album ‘Freedom of the Soul’.

Other artists to look out for at the Africa Festival include German oud player Roman Bunka, whose music career started in Würzburg, with his newly-formed Shamandura Project. He also plays guitar for German world music pioneers Dissidenten, who will be accompanied by Egyptian superstar Mohammed Mounir. Also on the bill are two of the most celebrated young female artists in African at the moment, Shishani from Namibia and Marema from Senegal.

Evidence of the festival’s popularity, the organisers recently announced that tickets for Friday and Saturday have already sold out, and that tickets for Thursday and Sunday are running out fast. To buy one of the remaining tickets or to check out the full festival programme, go to the festival website. Television channel ARTE is a partner of the event and will broadcast selected performances.

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