NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghana mourns death of veteran DJ and hiplife pioneer Rab Bakari

07 Mar 2022 - 12:41

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Veteran Ghanaian disk jockey and hiplife pioneer Rab Bakari drowned during the Asa Baako festival on Sunday morning off the coast of Busua Beach, Ghana.

The late Rab Bakari.

In a statement, the festival organisers said: “It is with deep sadness we announce the death of our dear friend, mentor and pillar in Ghana’s music history, Rab Bakari.

“Rab was instrumental in the creation of hiplife music which is the foundation of modern Ghanaian music. He always offered words of encouragement and was instrumental in birthing Asa Baako. Our thoughts and prayers are with his family.”

Prior to his death, Rab had posted on Instagram to commemorate Ghana's 65th Independence Day: “6th March. I would rather be on ‘The Beach’ this Independence [from the goddam #British monarchy] Day.”

In the wake of the DJ's death, Ghanaian artists have been posting condolence messages on social media.

“You played your part, represented Ghana to the fullest,” broadcaster and media consultant Antoine Mensah posted. “Wherever you went, whatever you did, Ghana came first for you. It’s sad and ironic you passed on today of all days. The positive energy and support you gave our creative industry will be remembered.”

Rapper and filmmaker Blitz Bazawule said: “heartbroken to hear about Rab Bakari’s passing. A kind brother, always with a smile and words of encouragement. Thank you for all you did to uplift us. You will be missed Rab!”

FOKN Bois member M3nsa tweeted: “Today we lost someone who I can say was so pure in his ways that he even came off awkward to most. But now it all makes sense because this life is not promised. Rab didn’t know how to play the beat around the bush game, he was almost always about doing everything to the fullest.”

Sarkodie posted: “If there’s something we (the industry) can’t get over, it’s definitely going to be this very one.”

A renowned entrepreneur, music producer and culture expert, Rab Bakari was regarded as a pioneering figure in hiplife, the Ghanaian genre that fuses hip hop with highlife, including contributing to multiple albums by veteran musician Reggie Rockstone. He was also behind MixerPot, an Africa-orientated booking, conference and entertainment consulting agency, and contributed to several platforms such as OkayAfrica and Africology.

Bakari worked for Universal Music Group for more than 10 years, hosting and participating in panels at SXSW Music and CMJ Music Marathon (US), Cariforum EU Business Forum (Jamaica), Kenya Music Week, and WOMEX (Hungary) among others. Additionally, he served on the board of the Ghana DJ Awards. Before his death, he was reportedly working on a book about music scenes in multiple African metro areas.

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