NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghana’s DJ Quarps Hansen premieres Afrobeats show on London radio

18 Apr 2024 - 07:58

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Ghanaian DJ Quarps Hansen has begun hosting a new show dedicated to African music on Croydon 97.8 FM in London, UK. 

DJ Quarps Hansen.

Croydon 97.8 FM, a nonprofit community station, broadcasts from Croydon town centre, featuring live shows, news bulletins and youth training programmes in radio production. The station is a recipient of the Business in the Community accolade at the Mayor of Croydon Civic Awards.

The programme, dubbed Afrobeats on Cue, airs Thursdays from 5pm to 7pm. The broadcaster told Music In Africa that it will be a “celebration of African music and culture”, adding that it will showcase the best sounds from artists across Africa and of African descent, encompassing genres like Afrobeat and Afrobeats, alté, amapiano, bongo flava, highlife, kwaito, Afro-dancehall, Afro-house and rap, all of which were introduced by the Recording Academy last year as part of a new African music category ahead of the 66th Grammys. The inaugural Best African Music Performance award was won by South Africa’s Tyla in February.

Born Nii Quarcoopome Hansen-Sackey, Quarps brings about a decade of experience as an open-format DJ to his new role, having honed his skills at Accra-based urban radio station Y 107.9 FM, where he served as a disc jockey and producer, rising to the post of head of music by 2019. He has performed at prestigious events such as the Afrochella Festival (now AfroFuture) and Taste of Ghana, as well as private parties and boat parties in London.

“The choice to work with Croydon FM is particularly significant because of the privilege to showcase the diversity of African culture through music,” Quarps said. “Croydon also fits the part perfectly because it is London’s borough of culture and a melting pot of diversity. I look forward to playing my part in showcasing African music to the rest of the world.”

London is widely acknowledged as a vital centre for African pop music, particularly Afrobeats, contributing significantly to the genre’s global recognition and expansion. The city is also celebrated for its hosting of large-scale Afrobeats concerts featuring stars such as Burna Boy, Davido, Wizkid and Asake, as well as the development of new and niche genres.

Speaking to Music in Africa in 2017, at the onset of the global rise of Afrobeats, Nigerian artist Mr Eazi highlighted London as one of the initial locations where his music gained traction following his success in Ghanaian universities. London has played a crucial role as a key audience and a significant third base among the cities where he has established himself.

Echoing this sentiment, Quarps said: “London has played a major role in the rise of Afrobeats and African music in general. The city embraced the sounds from Africa before many other cities did. I will say London catapulted Afrobeats to the world stage.”

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