NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

gospel music

Gospel music in Kenya

22 Aug 2017 - 14:08

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The pioneers of Kenyan gospel music not only incoporated Southern African Kwela beat but also employed pitch bending and modulated on the keyboard, a technique common with South African musicians.

Juliani is a Kenyan hip hop gospel artist.

What made the music Kenyan was the Swahili language, but the vocal intonations and music arrangements were quite similar to Southern African Kwela, popularized by the likes of Miriam Makeba and Dorothy Masuka in the early 1960s.

Over the years the gospel industry in Kenya has grown to be the biggest. However, the content of the music is not as rich as it was before. “Christian music in Kenya defies definition," said Kenyan researcher Jean Kidula in an interview with the Afropop website. "The only thing that anybody can say about it is that, the musicians claim to be Christians."

Veteran music producer Tabu Osusa is one of the outspoken critics of modern gospel. His view is that Kenyan gospel music cannot be considered a genre but rather as a new variant of music whose only distinction can be found in lyrics that reference spirituality. Some music pundits agree with Osusa’s view because many of the gospel songs are essentially modeled either on South African rhythms, Jamaican reggae/dance hall, American hip-hop or Congolese ndombolo.

Gospel music in Kenya is driven largely by the growth of the Christian faith and the ever increasing number of churches. The evolution is not only in sound and concept, but also about changing generations bringing in new perceptions.

Pioneers

Mary Atieno

Mary Atieno is a blind gospel artist who introduced the Kwela Southern African style of music to Kenya’s gospel industry. Atieno was the face and voice of gospel in Kenya throughout the 1980s. She begun singing with one of the first Kenya choirs before going solo with the help of her husband.

Angela Chibalonza

Angela Chibalonza was a Congolese singer and songwriter who relocated to Kenya in the 1990s. She released seven gospel albums before her death in September 2007. Chibalonza’s fame remains even in death. In 2014 the Music Copyright Society of Kenya listed stated that she earned more in royalties than any other music performer in the country.

International Fellowship Church (IFC) Choir

The IFC Choir was based in Jericho, Nairobi. Among its singers was Mary Atieno, who was lead singer on huge hits like ‘Adamu na Hawa’ and ‘Sisi ni Parapanda’. Before IFC, Tanzanian gospel groups were already popular in Kenya. Groups like Mwanza Town Choir in the 1960s came to Nairobi for their recordings.

Famous gospel artists

Rufftone

Roy Smith Mwatia popularly known as Rufftone was the first artists to incorporate dancehall rhythm in Gospel music. He has won several gospel awards.

Helen Mtawali

Aside from having joined the music scene, she is now a music teacher at Daystar University. She is also a voice trainer for artistes and may be best remembered as the music director of a popular TV talent show, Tusker Project Fame

Rose Muhando

Rose Muhando is one of the few Tanzanian artists popular in Kenya. Her vocal prowess is often likened to South African Rebecca Malope. Her energetic performances earned her the title "Brenda Fassie of East African gospel".

Juliani

The hip hop musician Juliani uses his songs to speak against social, economic and political issues.

Live events

Totally Sold Out (TSO)

Totally Sold Out is an annual Gospel event launched in 2005 for Kenyan youths. The event is broadcasted live on Citizen Television.

Kubash

This is an annual Gospel concert organized by Kubamba Tv and the CocaCola company for high school and primary school finalists.

Africa Let’s Worship (AFLEWO)

AFLEWO is an annual worship experience which happens at the Winners Chapel where over 20,000 people attend. It is an initiative of Daystar University’s Sing Africa Alumni.

Awards

Groove Awards

The Kenyan gospel music award ceremony Groove Awards was launched in 2004. Awards are given to musicians in Kenya and the East African region.

Kenya Gospel Music Awards (KeGMA)

KeGMA is an award ceremony that was founded in the year 2016 to recognize uprising gospel artist.

The Kisima Music Awards

This is an annual awards program that recognizes musical talent in East Africa. It recognises musicians from different genres including gospel.

DJs

DJ Mo
He is the CEO of System Unit, a DJing Unit. He also hosts a gospel show on Nation Television Network (NTV).

DJ Sadic
He was once part of DJ Mo’s System Unit but left to form his own Genius Entertainment. He has also been instrumental as a leader and facilitator in many youth gatherings in the country.

DJ Krowbar
He is the host of the Tukuza Gospel Show which airs in Kenya Television Network (KTN)

References

Ketebul Music. (2017). Shades of Benga: The story of Kenya’s popular music 1946-2016.

Gospel Deejays

Events

KGMAs

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