NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Grammys 2018: Full list of winners

29 Jan 2018 - 04:59

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The big news for African music at the 2018 Grammys is South Africa's Ladysmith Black Mambazo winning one of two awards the group was up for.

Ladysmith Black Mambazo won a fifth Grammy in the South African group's history at the 2018 Grammys.

Ladysmith Black Mambazo's win at the event, which viewers on the continent saw in the early hours of 29 January, unfortunately came at the expense of fellow African group, Mali’s Tinariwen, whose Elwan was also nominated for Best World Music Album.

Songs of Peace & Love for Kids & Parents Around the World lost the award for Best Children's Album to Lisa Loeb's Feel What You Feel. But the group won the Best World Music Award for Shaka Zulu Revisited: 30th Anniversary Celebration. The original version of the album won the group its first Grammy in the 1980s.

Besides Ladysmith Black Mambazo’s win, it was hardly a triumphant night for African music. The compilation of tracks from 1970s Burkina Faso, Bobo Yéyé: Belle Époque in Upper Volta, lost both the Best Boxed or Special Limited-Edition Package and the Best Historical Album categories. Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa lost in the Best Historical Album category. Leonard Bernstein’s Leonard Bernstein — The Composer took the historical award while the Voyager Golden Record: 40th Anniversary Edition won the package category.

Ghanaian and Nigerian artists lost out on a Grammy by association when Damian Marley’s Stony Hill was named the winner over Morgan Heritage’s Avrakadebra in the Best Reggae Album category. Avrakadebra features the vocal talents of Nigeria’s Timaya and Ghana’s Stonebwoy on a “global remix” of the Jimmy Cliff 1983 classic ‘Reggae Night’.

Ghanaian fans might have taken some pleasure in Ed Sheeran’s Best Pop Vocal Album award. His album Divide features the song ‘Bibia Be Ye Ye’, in which Sheeran sings in Twi. The British singer, however, was absent at the ceremony, which returned to New York for the first time in 15 years.

All of these awards and others were handed out before the televised ceremony, which saw the presentation of nine awards out of the total 84.

During the show, rapper Kendrick Lamar continued his streak of wins, having won three awards prior. He completed a sweep of the rap awards, winning Best Album and Best Rap/Sung Performance to add to his early loot: Best Rap Song, Best Rap Performance and Best Video—all for his 2017 hit ‘Humble’. Lamar’s win for Best Video meant a loss for the music video to Jain’s Miriam Makeba tribute ‘Makeba’.

Leading up to the 60th edition of the Grammys, music industry watchers had predicted a Jay-Z-vs-Lamar battle, but it proved to be no contest. The younger rapper won by a landslide but paid tribute to his veteran counterpart, declaring “Jay for president” from the podium. Instead it was Kendrick Lamar vs Bruno Mars. Like Lamar, Mars had also won three awards during the pre-televised show.

Towards the end of the show, a tribute to several artists now departed was delivered by Emmylou Harris alongside country music star and double winner on the night Chris Stapleton. Among the honoured was the late Hugh Masekela. As announced last week, a tribute to the South African maestro will also be hosted at the fifth All Africa Music Awards (AFRIMA) in November.

The top three awards—Song of the Year, Record of the Year and Album of the Year—were all won by Bruno Mars. His ‘That’s What I Like’ was named Song of the Year. His single 24K Magic won the Record of the Year Award. It was also named Album of the Year.

Full list of winners below:

  • Album of the Year
    24K Magic — Bruno Mars
  • Record of the Year
    '24K Magic' — Bruno Mars
  • Song of the Year
    'That’s What I Like' — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip (Bruno Mars)
  • Best New Artist
    Alessia Cara
  • Best Pop Solo Performance
    'Shape of You' — Ed Sheeran
  • Best Pop Duo/Group Performance
    'Feel It Still' — Portugal. The Man
  • Best Traditional Pop Vocal Album
    Tony Bennett Celebrates 90 — Various Artists; Dae Bennett, producer
  • Best Pop Vocal Album
    ÷ — Ed Sheeran
  • Best Dance Recording
    'Tonite' — LCD Soundsystem
  • Best Dance/Electronic Album
    3-D The Catalogue — Kraftwerk
  • Best Contemporary Instrumental Album
    Prototype — Jeff Lorber Fusion
  • Best Rock Performance
    'You Want It Darker' — Leonard Cohen
  • Best Metal Performance
    'Sultan’s Curse' — Mastodon
  • Best Rock Song
    'Run' — Foo Fighters
  • Best Rock Album
    A Deeper Understanding — The War on Drugs
  • Best Alternative Music Album
    Sleep Well Beast — The National
  • Best R&B Performance
    'That’s What I Like' — Bruno Mars
  • Best Traditional R&B Performance
    'Redbone' — Childish Gambino
  • Best R&B Song
    'That’s What I Like' — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)
  • Best Urban Contemporary Album
    Starboy — The Weeknd
  • Best R&B Album
    24K Magic — Bruno Mars
  • Best Rap Performance
    'HUMBLE.' — Kendrick Lamar
  • Best Rap/Sung Performance
    'LOYALTY' — Kendrick Lamar featuring Rihanna
  • Best Rap Song
    'HUMBLE.' — Duckworth, Asheton Hogan and M Williams II, songwriters (Kendrick Lamar)
  • Best Rap Album
    'DAMN' — Kendrick Lamar
  • Best Country Solo Performance
    'Either Way' — Chris Stapleton
  • Best Country Duo/Group Performance
    'Better Man' — Little Big Town
  • Best Country Song
    'Broken Halos' — Mike Henderson and Chris Stapleton (Chris Stapleton)
  • Best Country Album
    From a Room: Volume 1 — Chris Stapleton
  • Best New Age Album
    Dancing on Water — Peter Kater
  • Best Improvised Jazz Solo
    'Miles Beyond' — John McLaughlin, soloist
  • Best Jazz Vocal Album
    Dreams and Daggers — Cécile McLorin Salvant
  • Best Jazz Instrumental Album
    Rebirth — Billy Childs
  • Best Large Jazz Ensemble Album
    Bringin’ It — Christian McBride Big Band
  • Best Latin Jazz Album
    Jazz Tango — Pablo Ziegler Trio
  • Best Gospel Performance/Song
    'Never Have to Be Alone' — CeCe Winans
  • Best Contemporary Christian Music Performance/Song
    'What a Beautiful Name' — Hillsong Worship
  • Best Gospel Album
    Let Them Fall in Love — CeCe Winans
  • Best Contemporary Christian Music Album
    Chain Breaker — Zach Williams
  • Best Roots Gospel Album
    Sing It Now: Songs of Faith & Hope — Reba McEntire
  • Best Latin Pop Album
    El Dorado — Shakira
  • Best Latin Rock, Urban or Alternative Album
    Residente — Residente
  • Best Regional Mexican Music Album (Including Tejano)
    Arriero Somos Versiones Acústicas — Aida Cuevas
  • Best Tropical Latin Album
    Salsa Big Band — Rubén Blades con Roberto Delgado y Orquesta
  • Best American Roots Performance
    'Killer Diller Blues' — Alabama Shakes
  • Best American Roots Song
    'If We Were Vampires' — Jason Isbell and the 400 Unit
  • Best Americana Album
    The Nashville Sound — Jason Isbell and the 400 Unit
  • Best Bluegrass Album: tie
    Laws of Gravity — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage
  • Best Traditional Blues Album
    Blue & Lonesome — The Rolling Stones
  • Best Contemporary Blues Album
    TajMo — Taj Mahal and Keb’ Mo’
  • Best Folk Album
    Mental Illness — Aimee Mann
  • Best Regional Roots Music Album
    Kalenda — Lost Bayou Ramblers
  • Best Reggae Album
    Stony Hill — Damian Marley
  • Best World Music Album
    Shaka Zulu Revisited: 30th Anniversary Celebration — Ladysmith Black Mambazo
  • Best Children’s Album
    Feel What U Feel — Lisa Loeb
  • Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling)
    The Princess Diarist — Carrie Fisher
  • Best Comedy Album
    The Age of Spin/Deep in the Heart of Texas — Dave Chappelle
  • Best Musical Theater Album
    Dear Evan Hansen — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)
  • Best Compilation Soundtrack for Visual Media
    La La Land — Various Artists
  • Best Score Soundtrack for Visual Media
    La La Land — Justin Hurwitz, composer
  • Best Song Written for Visual Media
    'How Far I’ll Go' — Lin-Manuel Miranda, songwriter (From Auli’i Cravalho)
  • Best Instrumental Composition
    Three Revolutions — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)
  • Best Arrangement, Instrumental or A Cappella
    'Escapades for Alto Saxophone and Orchestra' From ‘Catch Me If You Can’” — John Williams, arranger (John Williams)
  • Best Arrangement, Instruments and Vocals
    'Putin' — Randy Newman, arranger (Randy Newman)
  • Best Recording Package: tie
    Pure Comedy (Deluxe Edition) — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)
  • Best Boxed or Special Limited-Edition Package
    The Voyager Golden Record: 40th Anniversary Edition — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)
  • Best Album Notes
    Live at the Whisky A Go Go: The Complete Recordings — Lynell George, writer (Otis Redding)
  • Best Historical Album
    Leonard Bernstein — The Composer — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)
  • Best Engineered Album, Non-Classical
    24K Magic — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)
  • Producer of the Year, Non-Classical
    Greg Kurstin
  • Best Remixed Recording
    'You Move (Latroit Remix)' — Dennis White, remixer (Depeche Mode)
  • Best Surround Sound Album
    Early Americans — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)
  • Best Engineered Album, Classical
    Shostakovich: Symphony No. 5; Barber: Adagio — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)
  • Producer of the Year, Classical
    David Frost
  • Best Orchestral Performance
    Shostakovich: Symphony No. 5; Barber: Adagio — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
  • Best Opera Recording
    Berg: Wozzeck — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)
  • Best Choral Performance
    'Bryars: The Fifth Century' — Donald Nally, conductor (PRISM Quartet and The Crossing)
  • Best Chamber Music/Small Ensemble Performance
    'Death & the Maiden' — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra
  • Best Classical Instrumental Solo
    'Transcendental' — Daniil Trifonov
  • Best Classical Solo Vocal Album
    Crazy Girl Crazy — Barbara Hannigan (Ludwig Orchestra)
  • Best Classical Compendium
    Higdon: All Things Majestic, Viola Concerto & Oboe Concerto — Giancarlo Guerrero, conductor; Tim Handley, producer
  • Best Contemporary Classical Composition
    'Viola Concerto' — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)
  • Best Music Video
    'HUMBLE.' — Kendrick Lamar
  • Best Music Film
    “The Defiant Ones” — Various Artists

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