NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

2 baba

On the greatness of 2 Baba’s African Queen

06 May 2016 - 15:26

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The typical heartbreak song is a lament or consists of questions. 2face's African Queen is an exhilarating sequence of declarations. If heartbreak is a place of turmoil and questioning, the narrator is in a place of certainty. He's in the throes of romantic reciprocity.

2 Baba

The song refers to the early stages of love, where what is bound to become complex is as yet simple. And such the emotion is conveyed with simple declarations:

You are my African Queen
The girl of my dreams
You make my heart to ting a ling a ling
You take me where I've never been

The song has since passed into legenda, assisted by the coincidence of being the available video around the time of setting-up of the MTV Base channel. It became the very first video to be aired on that station. As the years went by, MTV Base became more important than Channel O. African Queen became king of love songs on the continent. It is the centrepiece of all the 2face ouevre.

As a love song, it prefigured 2face's love life. It is perhaps indelicate to note that the song mentions no names and the video has 3 girls, each of whom is seen with 2face at various times. The song's potency may come from that idea of reusable lines. The African Queen is the cynosure of the singer's eye. What happens when he shifts his gaze? And so it was that any number of men used the song to woo their woman. The singer himself then went on a spree, wooing any number of women.

Looking back, it sorta put him in a spot. He had made the definitive love song for the old, young and everyone else. How to follow it? Fortunately, the album was done and in an era of listening to the whole thing, we all knew the songs on the album. When another video showed up it was merely a bonus. We had the heard it before. To consider how much of the certitude on AQ was important, think of the latter 2face songs. True Love is a searching song, Be there is one of assurance.

On the relatively unknown Feeling You, structured like a phone call, the suitor is wooing a reluctant woman--similar to the lady on Ole. On both songs, the frustrated man expresses his unhappiness at his lady's handwringing by threatening on the first--make you no dey act like mumu, take what you get before it gets too late--and is distraught on the other--if you really love me so you should let me know. Again both are questioning: "I'm feeling you. Do you feel me too?" "tell me your decision, my position?"

There would be no such joy in love song till Rainbow from Away and Beyond. Young love, the middle uncertainty, and the joys of matrimony--2face has spent his love songs chronicling the viccisitudes of romance. If he were American a song on divorce might close the circle. He's Nigerian: matrimony is the idealised end of romance. And that's where we are. For emphasis the video for Rainbow shows footage of his wedding. The wife? The same girl from the AQ video. Circle closed.

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