NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

H_art the Band injects soul, faith and passion into Simple Man

29 Jun 2021 - 15:09

cc-img flag-img

Contemporary Kenyan music criticism takes the shape of lamentations about a shift of narrative focus of traditional values to the glorification of sex and materialism: a switch in emphasis from storytelling to catchphrase-driven compositions falling short of discernible messages.

H_art the Band.

Although most current Kenyan popular music falls in the latter category, with a bit of extra digging one would discover that substance isn’t necessarily lacking but somewhat overlooked. It’s why H_art the Band’s third album Simple Man is arguably the best Kenyan pop album of the year so far.

The band is made up of spoken-word artist Wachira ‘Skoko’ Gatama, lead singer Mordecai Mwini and guitarist Kenneth ‘Kenchez’ Muya, who is also a fashion designer and the reason that the group’s members have been labelled as fashion icons.

The new EP carries their signature poetic lyrics delivered in English, Kiswahili, French and sheng (street slang). It offers a more mature perspective than the boy band has presented to date through its discography, through catchy tracks and a cohesive sound. With six acoustically recorded tracks during the first phase of production, H_art the Band tackles themes of love and loss as well as the highs and lows of life. Each track has the propensity to change the listener’s mood with an array of tempos, lyrical content and sonic pickings.

The title track ‘Simple Man’ leads off this collection. It starts off with vocal tension and a swelling guitar riff before the introduction of a reggae beat followed by Mwini’s honeyed vocals. He is a measured songwriter who understands that a song speaks to the soul if poetry is merged with music.

He sings:

I'm just a simple man with a simple plan
Lady hold my hand and you will understand
What it means to live in a simple world
What it means what it means to love someone.

This is before Skoko steals the show with a spoken-word verse about finding true love in a single mother and navigating the calm and chaos of life together.

‘Everyday’ carries on with the theme of love. The Spanish flamenco guitar influence is apparent in the parts played by Matt Owegi, who is present on the entire album. He displays an ability to combine technicality and melody in a flawless yet subtle manner.

‘Wait for You’ brings things to a slow pace, relying on just a guitar and whistling. Here, the musicians get socially conscious and address the rise of gender-based violence in Kenya during the COVID-19 lockdown – taking on a much stronger political tone.

The band’s nonconformity of popular trends stems more from genuine experimental zeal than a cheap desire for attention. This is particularly evident in ‘Na Bado’ – a tribute to mothers who support the dreams of their children. Part of its appeal is the appearance of rapper Nyashinski whose emphasis on clear vocal delivery is laudable in the era of mumble rap.

The upbeat nature of the album’s fifth track, ‘My Jaber’, is irresistible. The musicians team up with rising Kisumu artist Brizy Annechild to praise the beauty of women from the region. Brizy Annechild’s name might be alien to mainstream audiences in the capital Nairobi, but the musician has amassed a big following in Kisumu.

Towards the end of the song, Skoko utilises mabanga – an act of shouting out an individual’s name during a song. It was popularised by Congolese musicians whose patrons paid to have their names immortalised on records.

H_art the Band also explores choral gospel in ‘Milele’ and although the song borrows from the worship genre, the group’s songwriting character is not lost.

The biggest differences between Simple Man and the band’s previous two albums – Shoekran and Made in the Streets – is its meticulous production and conceptual flow that allows listeners to consume it in its entirety.

Stream Simple Man here.

Artist: H_art the Band
Album: Simple Man
Year: 2021

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media