NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Headies 2020: All the nominees

07 Dec 2020 - 08:02

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The nominees for the 2020 Headies in Nigeria were unveiled on 4 December. 

Fireboy DML. Photo Credit: Niyiokeowo Studio.

Founded by the Hip Hop World Magazine in 2006, the event, which is in its 14th edition, recognises outstanding musicians and music professionals in the country’s entertainment industry.

This year’s awards will reward works released between July 2019 and September 2020. In addition to the existing 29 categories, the organisers have introduced the Songwriter of the Year category to “bring to the limelight hardworking individuals who have all significantly supported the creation of quality music.”

Fireboy DML leads the nominations with nine nods including Best Recording of the Year, Best R&B Album, Best Pop Album, Album of the Year and the Headies Viewer’s Choice Award. Davido and Wurld came in next with seven nominations each, while Burna Boy, the reigning Artist of the Year, secured six nominations.

Other nominees are Simi with five nods, DJ Neptune with four, and Wizkid whose nominations include Best Recording of the Year and Best Song of the Year. Tems, Omah Lay, Oxlade and Bella Shmurda are in the running for the keenly contested Next Rated Award. Previous winners of that trophy include Rema, Davido, Mr Eazi, Wizkid and Asa. Olakira, Alpha P, JomoPyper, Zinoleesky and Bad Boy Timz will compete for the Rookie of the Year Award.

Rapper A-Q will be looking to defend his Lyricist on the Roll title against MI Abaga and Illbliss, both of whom have won the trophy in the past, as well as Phenom and Phyno.

Meanwhile, Timaya and rapper and activist Eedris Abdulkareem will receive special recognition awards for their impact on the industry. The main event will also see highlife legend King Sunny Ade inducted into the Headies Hall of Fame.

This year’s Headies will be held virtually. The date for the main event is expected to be released soon.

Below is the full list of nominees:

Best Recording of the Year

  • ‘Ozymandias’ – Brymo
  • ‘Smile’ – Wizkid ft. H.E.R
  • ‘Wonderful’ – Burna Boy
  • ‘Dreamer’ – Fireboy DML
  • ‘Ghost Town’ – Wurld

Best Pop Single

  • ‘Billionaire’ – Teni
  • ‘Nobody’ – DJ Neptune ft. Joeboy and Mr Eazi
  • ‘Lady’ – Rema
  • ‘Fem’ – Davido
  • ‘Joro’ – Wizkid
  • ‘Skeletun’ – Tekno

Song of the Year

  • ‘Fem’ – Davido
  • ‘Nobody’ – DJ Neptune ft. Joeboy and Mr Eazi
  • ‘Joro’ – Wizkid
  • ‘Mafo’ – Naira Marley
  • ‘Duduke’ – Simi

Producer of the Year

  • Pheelz – ‘Billionaire’ by Teni
  • Spax – ‘Away’ by Oxlade
  • Kel P – ‘Pull Up’ by Burna Boy
  • Sarz – ‘Mad’ By Sarz and Wurld

Best Rap Album

  • God’s Engineering – A-Q
  • Illy Chapo X – Illbliss
  • YPSZN2 – Psycho YP
  • Cult! – Paybac Iboro
  • The Erigma II – Erigga

Best R&B Album

  • Laughter, Tears and Goosebumps – Fireboy DML
  • I Like Girls With Trobul – Sarz & Wurld
  • King – Praiz
  • Boo of the Booless – Chike
  • Celia – Tiwa Savage

Best Alternative Album

  • Yellow – Brymo
  • Lucid – Asa
  • The Light – Bez
  • Pioneers – DRB Lasgidi
  • Roots – The Cavemen

Best Pop Album

  • Apollo – Fireboy DML
  • African Giant – Burna Boy
  • A Good Time – Davido
  • Woman of Steel – Yemi Alade
  • Afro Pop Vol. 1 – Adekunle Gold

Best Music Video

  • ‘Eli’ – Fireboy DML
  • ‘1 Milli’ – Davido
  • ‘Smile’ – Wizkid
  • ‘Billionaire’ – Teni
  • ‘Shekere’ – Yemi Alade

Best R&B Single

  • ‘Under the Sky’ – Praiz
  • ‘Duduke’ – Simi
  • ‘Mad’ – Sarz & Wurld
  • ‘Bad Influence’ – Omah Lay
  • ‘Tattoo’ – Fireboy DML
  • ‘Dangerous Love’ – Tiwa Savage

Best Collaboration

  • ‘Know You’ – Ladipoe ft. Simi
  • ‘Nobody’ – DJ Neptune ft. Joeboy and Mr Eazi
  • ‘Sweet In the Middle’ – Davido ft. Naira Marley, Zlatan and Wurld
  • ‘Don’t Call Me Back’ – Joeboy ft. Mayorkun
  • ‘Totori’ – ID Cabasa ft. Wizkid and Olamide
  • ‘Get the Info’ – Phyno ft. Phenom and Falz

Best Rap Single

  • ‘OGB4IG’ – Reminisce
  • ‘Shut Up’ – Blaqbonez
  • ‘Country’ – Illbliss
  • ‘Get The Info’ – Phyno, Falz and Phenom
  • ‘Bop Daddy’ – Falz ft. Ms Banks

Best Vocal Performance (Male)

  • ‘Ghost Town’ – Wurld
  • ‘Forgive’ – Chike
  • ‘Under the Sky’ – Praiz
  • ‘Plenti’ – Cobhams
  • ‘What Makes You Sure’ – Nonso Amadi
  • ‘Count On You’ – Johnny Drille

Best Vocal Performance (Female)

  • ‘No Longer Beneficial’ – Simi
  • ‘One on the Outside’ – Lindsey Abudei
  • ‘Addicted’ – Niniola
  • ‘Chi Efo’ – J-Dess
  • ‘Lai Lai’ – Yemi Alade
  • ‘Ajala’ – Imanse

Next Rated

  • Tems
  • Omah Lay
  • Oxlade
  • Bella Shmurda

Headies Revelation

  • Victor AD
  • Fireboy DML
  • Joeboy
  • Teni
  • Rema
  • Chike

Lyricist on the Roll

  • A-Q
  • Blaqbonez
  • MI Abaga
  • Illbliss
  • Phenom
  • Phyno

Best Street-hop Artist

  • Naira Marley and Young John – ‘Mafo’
  • Mayorkun – ‘Geng’
  • Reminisce ft. Olamide and Naira Marley – ‘Instagram’
  • Rudeboy – ‘Audio Money’
  • IVD and Zlatan – ‘Bolanle’
  • Olamide – ‘Pawon’

Best ‘Alternative’ Song

  • ‘Corner’ – Lady Donly ft. VanJess & The Cavemen
  • ‘I Wonder’ – Moelogo
  • ‘Bitter’ – Deena Ade
  • ‘Anita’ – The Cavemen
  • ‘Money Devotion’ – Gbasky
  • ‘God Save The Queen’ – Olu

Album of the Year

  • African Giant – Burna Boy
  • Apollo – Fireboy DML
  • Afro Pop Vol. 1 – Adekunle Gold
  • Yellow – Brymo
  • Boo of the Booless – Chike

Artist of the Year

  • Burna Boy
  • Davido
  • Wizkid
  • Mayorkun
  • Tiwa Savage

African Artist Recognition

  • Master KG
  • Kuami Eugene
  • Sauti Sol
  • Shatta Wale
  • Stonebwoy

Headies’ Viewer’s Choice

  • Davido
  • Omah Lay
  • Burna Boy
  • Falz
  • Fireboy DML
  • Mayorkun
  • DJ Neptune
  • Wizkid

Rookie of the Year

  • Olakira
  • Alpha P
  • Jamopyper
  • Zinoleesky
  • Bad Boy Timz

Songwriter of the Year

  • Simisola Bolatito Ogunleye (Simi – ‘Duduke’)
  • Adedamola Adefolahan (Fireboy DML – ‘Dreamer’)
  • Damini Ogulu (Burna Boy – ‘Way Too Big’)
  • Stanley Omah Didia (Omah Lay – ‘Bad Influence’)
  • Sadiq Onifade (Wurld – ‘Ghost Town’)
  • Adekunle Kosoko (Davido – ‘1 Million’)

Special Recognition

  • Eedris Abdulkareem
  • Timaya

Hall of Fame

King Sunny Ade

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