NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Hormones fly in Girl Next Door

24 Jan 2018 - 13:55

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It’s cute when a couple has a song in common – one that has sentimental value and reminds them of the time they met. People don’t choose those songs. They are on Cupid’s personal playlist. One song you’d imagine to be on the playlist is "Girl Next Door’ by Kenyan group Sauti Sol featuring Nigerian songstress Tiwa Savage.

Girl Next Door is a perfect song for young couples to fall in love to.

No, 'Girl Next Door’ is not about a teenage boy who falls in love with the girl next door only to find out that she’s a former porn star. That’s the plot of an ancient teen drama only people born in the 1800s would know.

Sauti Sol and Tiwa Savage offer the story of a man and woman who live in the same apartment complex and fall in love. They’re both smitten. If you’re familiar with chick flicks you’d immediately recognise the typical chilling-on-the-bed-and-staring-at-the-ceiling-while-thinking-about-my-potential-lover trope. Except that Tiwa Savage looks stunning in her camouflage dungaree and olive top – she is ready to go to war for love after reciting hat seeems like a mirror-on-the-wall speech.

While the girl next door exits her apartment, after getting a speech from her parents presumably about how bad the boy next door is for her, the boy next door looks through the blinds and they walk downstairs in unison. In slow motion, to add intensity to the moment, the young couple finally get to be with each other and possibly jump into each other’s “deep ends”. Most of the slow motion in the video gives the viewer a sense anticipation in the moment the couple meets.

The high, oblique aerial shots further give the impression that love is in the air, which makes the video warm and jovial.

The use of everyday elements such as a children playing in the streets and apartments as opposed to a mansion, anchor the video in a reality that can easily be imagined by the viewer; it doesn’t conform to a classic fairy-tale stereotype where the rich character falls in love with the pauper.

The familiarity of the video is so intense you’d fall in love with an imaginary boyfriend or girlfriend just to have a sense of what the couple on screen feels. Although it doesn’t imitate fairy-tale stereotypes, the couple lives happily ever after, in a club, dancing.

Artist: Sauti Sol ft Tiwa Savage
Video: Girl Next Door
Label, Year: Sauti Sol Entertainment, 2018

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