NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

House music ‘growing in Zambia’

27 Feb 2018 - 11:23

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One of Zambia’s most influential DJs, El Mukuka, says the music industry in his country is beginning to pave the way for house music.

El Mukuka has a new song featuring childhood friend Alan Thompson.

“House music is showing good signs of growth in Zambia, which means that we have many more house-music heads now and more radio play for house songs,” El Mukuka told Music In Africa. “But with that said, the progress is still slow and not enough people here in Zambia are willing to embrace house music yet.

“This is a constant challenge for me and the other DJ/producers at the forefront of the house scene in Zambia. The strategy we have all employed is to consciously educate the public through all possible means and to be defiant. It definitely hurts to see this but change is inevitable and I’m confident that more and more Zambians will embrace the style.”

House was created in Chicago in the early 1980s. It then spread to European countries such as the UK and France and made a lasting appearance in South Africa, which boasted some of the biggest rave parties in the world in the mid-1990s. The kwaito genre itself was formed as an offshoot of US and European house. El Mukuka, who is Zambia’s first DJ to sign a deal with Universal Music, said he would look to work with South African electro and house acts such as Mi Casa, Goldfish, Timo ODV and GoodLuck to promote house in his own country,

New song

After working with German producer Shaun Bate on ‘Bottle of Loneliness’ featuring Zambian songstress Marocco, the 25-year-old El Mukuka last week released ‘All I Need’ alongside childhood friend Alan Thompson.

“Alan came to me with half the song already written and the other half we wrote in my studio in Lusaka. I produced the song. In Africa the song comes out on all digital stores on 9 March 2018 on Sony Music Africa,” Mukuka said.

The song was released on the Blanco y Negro Music label in the UK and is available via all major digital stores. Currently there is only a lyric video available for the song but El Mukuka says he would consider producing a full music video if the song receives positive feedback.

El Mukuka, whose birth name is Eleftherios Mukuka, said the Internet, as well as hard work, had helped him reach a wider audience.

“Since changing my artist name from Eleftherios Mukuka to El Mukuka one and a half years ago, I have released six singles and a couple of remixes. There has definitely been success. My brand has grown exponentially in Zambia and is beginning to grow in other African counties and in Europe more and more.

“Increased radio play, streaming and sales have led to bigger bookings, festival appearances in the sub-Saharan region and interesting brand partnership deals. One of the most beautiful things I've noticed is that house music in Zambia is finally starting to grow and this for me is one of the biggest rewards I could possibly ask for.”

Commenting on his continued collaboration with Thompson, El Mukuka said: “Alan and I go way back. He featured on my award-winning debut single in 2013 entitled 'Heart’, which marked the beginning of my career as a DJ/producer in Zambia. He has an incredible voice – one of the best male voices I have come across. Our workflow in the studio is also very natural.”

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