NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

How to get the most out of ACCES as an artist

14 Oct 2018 - 13:02

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By Jess White

Irrespective of whether you're showcasing or attending a music trade event as an artist, there are many ways in which you can benefit from the platform provided. Below are some key pointers on how to prepare for a trade event.

A musician performs at the 2017 edition of ACCES in Dakar, Senegal.

Update your promotional assets

It's very important that your electronic press kit (EPK) is up to date. This means that you need to:

  • Include a well-written biography that gives the reader a good understanding of who you are as an artist, i.e. what you sound like, the key messages in your music, milestone career achievements, and, potentially, what the future holds.
  • Share strong media or industry quotes. Having a media platform or a music industry quote about your live performance, LP/EP release, videos or overall artistry is one of the best ways to promote your music. This is because media don't usually have a vested interest in your music and are not obliged to write positively, which gives their words extra weight if favourable.
  • Update your photos. Music industry players are not solely focused on music but also on an artist's image. Having a diverse range of promotional photos that you can include in your EPK is vital in furthering your career.

Photo Dos

  • Include photos that show your artistry and personality.
  • Have both portrait and landscape photos in colour as well as black and white.
  • Use different locations and outfits, refrain from busy backgrounds.
  • Consider image sizes for different social media platforms when cropping your photos.
  • Credit the photographer.

Photo Don’ts

  • Include photos with old band members.
  • Include only one-dimensional photos, i.e. all black and white.
  • Include links to your website, social media, YouTube, Bandcamp and SoundCloud as well as streaming platforms like Spotify, Deezer, iTunes etc.
  • Update your contact information to ensure your management and booking agency details are included.
  • Ensure that the file size of your EPK will not bounce back when sent via email. It's therefore a good idea to keep your EPK under 10MB, or 5MB if you want to be absolutely safe.
  • Update your website. Take time to keep your website up-to-date with all key information. A good method is to update your website and EPK at the same time.
  • Update your social media. You should be active on the social media platforms you’ve chosen to use. Doing so not only keeps your fans engaged but also shows the music industry that you are active and engaged.
  • Update your technical rider. Having a clear and up-to-date stage plot and technical rider shows that you're professional and that you understand what is needed from a production perspective to put on your best performance.
  • Use a cloud storage platform such as Dropbox or Google Drive to store all your promotional, technical and travel assets. Nobody has unlimited storage in their inbox and sending emails with large attachments can easily bounce back.

Suggested information on cloud:

  • Audio: MP3 and WAV versions of your released material.
  • Biography and EPK.
  • Photos: Include hi-res and low-res versions of your photos.
  • Videos: Include versions of your official and live videos.
  • Technical rider.
  • Hospitality rider.
  • Tour party list including roles and dietary requirements.
  • Travel documents (passports).

Identify how attending a conference can help you achieve your goals

Musician are cultural entrepreneurs who should have short-term and long-term plans for their career. It's best to identify what you're aiming to achieve when attending a music conference:

  • Live performance opportunities (gigs, festivals or tours).
  • Management.
  • Booking agent.
  • Record label.
  • Distribution.
  • Publishing.
  • Networking opportunities.
  • To listen and learn from experienced professionals.

Research the music industry

The best music conferences, like ACCES, list the delegates who will be attending the conference. Together with the knowledge of the business you are aiming to achieve from the conference, you can now start to make a shortlist of who you aim to connect with prior and during the trade event. It's important that you read about the music festivals, booking agents, record labels and artist management companies at the conference in order to have an idea about their mission/goal, the type of artists they work with and the kind of shows they produce.

Contact the music industry prior to the conference

Take time to contact your shortlisted delegates personally about two weeks before the start to the conference to introduce yourself, invite them to your showcase (if you are playing) and to set up a meeting.

Dos

  • Do your research.
  • Contact via email or the online platform provided by the conference.
  • Send a short, personalised email introducing yourself and what you do.
  • Invite them to your showcase concert (if you are playing).
  • Include a short biography with one or two short press quotes.
  • Include links to YouTube videos (official and live videos).
  • Include links to download your LP/EPs, photos and videos from a cloud.
  • Set up a meeting.

Don’ts

  • Contact all delegates in attendance. They will receive many emails and if your email looks like a generic “hello all, I am amazing” then they will skip over it.
  • Contact music industry players whose work doesn’t match yours, i.e. if you're a traditional group and the music festival books electronic music – you are wasting your and their time.
  • Include large files as attachments, i.e. photos, videos and MP3s should be sent via a cloud.

What to bring

Some music industry professionals have embraced the digital age, so they would be happy to receive everything via email to download and not have to carry business cards, flyers, vinyl, CDs and flash drives back home. Others, however, will be more than happy to receive physical material from you. It's therefore prudent to keep everyone happy by having everything stored in a cloud and bring a small number of physical copies of your music or promotional assets.

Also, rest up ahead of the conference and bring positive energy and comfortable shoes. Trade conferences involve long days and nights. See you at ACCES 2018!

Jess White is the founder of Akum Agency.

About ACCES

ACCES is a pan-African event for music industry players to exchange ideas, discover new talent and create business linkages. ACCES is held in a different African city every year, attracting active music industry players from across the globe.

ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung, Goethe-Institut, Alliance Francaise, Kenya’s Permanent Presidential Music Commission (PPMC), MagicalKenya and the Kenya Cultural Centre.

For more information, including registration and sponsorship opportunities, visit the ACCES website or download the ACCES 2018 brochure here.

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