NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Idols SA kicks off live shows and voting

30 Aug 2022 - 06:59

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Idols SA kicked off its live shows and voting with six of the top 12 contestants competing for a berth in the top 10.

The first six contestants teamed up with big South African artists at the weekend.

The six hopefuls who competed at Heartfelt Arena in Pretoria at the weekend were Zee, Thapelo, Hope, Mpilwenhle, Kabelo and Tesmin-Robyn, while Ceejay, Lerato, Nandi, Noxolo, Nozi and Ty will face off at the same venue on 4 September.

For Season 18’s first live show, the initial group of six contestants teamed up with some of music’s biggest names.

“It feels good to be back,” host ProVerb said as he introduced the first live show of Idols SA Season 18, which featured electrifying performances that saw the six participants taking to the stage.

Zee, the youngest singer this season at 18 years, began her performance with a duet with Kelly Khumalo with ‘Empini’. For her solo act, Zee sang the sexy ‘Surprise’ by Chlöe. All three judges praised the performance, with Thembi Seete describing her delivery as “beautiful”.

JR Bogopa and Somizi Mhlongo applauded Zee as well. However, Somizi felt she was intimidated by singing with Khumalo. “Don’t be afraid to unleash the beast in you,” he told her.

Thapelo was next, collaborating with Mduduzi Ncube on the emotional track ‘Langa Linye’. His solo performance was Sam Smith’s ‘Love Me More’.

“You know where the danger is?” Seete asked Thapelo about his second performance. “You are lovable. You have the energy, you have the power, but you need to feel more.”

JR echoed this: “A voice is a very powerful tool, but it can also be your worst enemy.” Somizi praised both of Thapelo’s performances: “I think that performance was worthy of taking you to the next round.”

The next collaboration featured Hope and Langa Mavuso, who performed the soulful ‘Pretend’. For her solo track, Hope took on Muni Long’s ‘Hrs & Hrs’.

“There’s a lot of pressure on you tonight,” JR said about Hope taking on the work of two powerful songwriters. “But you really delivered. You owned that performance.”

Somizi said: “If they say first impressions last, then this one is going to last,” with Seete not only praising Hope’s vocal chops but also her confidence and stage presence.

Hitting the stage with Presss was Mpilwenhle. The two took on the romantic ‘Phatha Kahle’, before Mpilwenhle went solo with Ariana Grande’s ‘Positions’.

Somizi praised her versatility, saying she was good at “delivering according to the genre and style” of what she was performing. Seete said Mpilwenhle’s performances proved she deserved to be in the top 12. “You killed it,” she said. JR’s feedback was summed up in four words: “You are a star.”

Next was Kabelo, who sang the joyful ‘Ngam’khetha’ with newly minted SAMA winner Nomfundo Moh, before going at it alone with ‘For Tonight’ by Giveon. Seete said Kabelo earned his spot in the top 12, but he needed to relax a bit more. “You’re in your head too much, you’re too nervous. Stop worrying because you are gifted.”

“For your own good, find your voice now and forget the nerves,” JR said, with Somizi echoing: “There’s nothing wrong with being an introvert, but express your feelings onstage.”

Closing out the show was Tesmin-Robyn, who collaborated with Boohle on the energetic ‘Pillow Talk’, before singing Ari Lennox ‘Pressure’ for her solo showing.

“You are a firecracker waiting to explode,” JR said. “Get out of that shell, girl. Vocal-wise you delivered, well done.” Somizi said Tesmin-Robyn’s fans could give her the second chance she deserved because she was overthinking her performance.

“It’s a new show, it’s a new season, it’s 2022,” Seete told the contestant, who had been on Idols SA before. “Can you give us the 2022 Tesmin? You have everything but I do not want to see what I saw last year.”

While the judges’ input is valuable to contestants, ultimately – as ProVerb reminded viewers and the audience in attendance – it’s up to their votes to decide who will make it into the top 10.

Audience tickets for the Idols SA live shows can be purchased here. Idols SA can be viewed on DStv channel 161 on Sundays from 5.30pm CAT. For more information, visit the Idols SA official website.

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