NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Inaugural TuneCore Accelerator Report released

23 Jan 2024 - 14:11

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Believe-owned TuneCore has published its inaugural TuneCore Accelerator Report highlighting exposure and growth achieved by self-releasing artists enrolled in the TuneCore Accelerator programme.

TuneCore CEO Andreea Gleeson.

The TuneCore Accelerator programme offers four tailored development plans for artists at different career stages. The ‘Start’ plan targets the early stage, enabling artists to find their initial listeners. The ‘Amplify’ plan focuses on the emerging stage, building artist discovery and listener engagement for tracks with 1 000 to 9 999 streams per year. In the ‘Break’ plan, the goal is to level up artists and accelerate fan exposure for tracks with 10 000 to 99 999 streams per year. The ‘Maximise’ plan, designed for the top stage, optimises the catalogue of artists with significant audience reach (100K to 1 million+ streams per year).

“TuneCore Accelerator was created in direct response to self-releasing artists’ growing need for a better way to find and develop their audiences, especially in the early phases of their careers,” TuneCore CEO Andreea Gleeson said. “The programme has already helped tens of thousands of artists find new listeners, with one in eight artists advancing to a higher development segment in the first quarter since its launch.”

Key findings from the report reveal that over 8 000 independent artists have enrolled in TuneCore Accelerator marketing programmes across multiple DSPs. In the first quarter following the programme’s launch, nearly 10 000 artists experienced a remarkable average increase of 143% in their streams. Specifically, the ‘Start’ segment exhibited substantial growth, with 5 600 artists advancing to a higher tier, driven by an impressive average 561% increase in streams.

All plans contributed to enhanced artist discoverability, notably in the hip hop and Latin genres, which saw over 660 million and 590 million additional streams, respectively, in the first quarter. Country and Latin genres demonstrated the highest total streaming growth, each boasting an overall growth rate above 30% quarter over quarter.

The US exhibited a growth rate exceeding 16% in total streams over the previous quarter, while Brazil, LATAM (excluding Brazil), and India emerged as the fastest-growing regions outside of the US. Atlanta-based R&B/soul and gospel artist Avery Sunshine, for instance, with over a decade of music released through TuneCore, experienced a nearly 25% increase in streams, accumulating almost half a million more streams between June and September 2023 for tracks included in the TuneCore Accelerator programme, while Latin music artist Carlos Carreira witnessed a 36% increase in streams during the first quarter after the launch, totalling over 380 000 additional streams.

“TuneCore has been an instrumental partner in my musical journey,” Avery Sunshine said. “Their platform not only simplifies the distribution process but also empowers me as an artist by offering valuable insights and allowing me to have control over my career. I’m grateful for how they’ve supported my music and, through TuneCore Accelerator, have helped me reach audiences I never thought possible.”

Carreira added: “TuneCore Accelerator has been a great ally in reaching listeners that I would not have been able to connect with otherwise. TuneCore has given me the tools I need in order to promote my music and discover more fans, allowing me to realise the power that songs have in people’s lives, become an important part of their stories, and perhaps add to the soundtrack of their lives.”

Meanwhile, TuneCore says it aims to expand the accelerator, aligning with its ambition to become a comprehensive technology-based artist development platform offering more resources for independent artists.

The full TuneCore Accelerator Report is available here.

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