NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Interview: Davido on 5ive, grief, and global ambition

30 Apr 2025 - 08:56

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In a candid conversation with Apple Music’s Ebro Darden, Afrobeats superstar Davido opened up about the deeply personal journey behind his fifth studio album, 5ive, and the unexpected spiritual meaning he later discovered in its title. From watching tour vlogs on YouTube and dreaming of fame, to selling out arenas worldwide, Davido reflected on the surreal rise of African music on the global stage.

Ebro Darden and Davido.

The artist also spoke movingly about family, loss, and resilience following the death of his son, sharing how fatherhood, faith, and the birth of twins helped him find hope again. With a global tour on the horizon and film projects underway, including an executive producer role and an upcoming documentary, Davido’s story is not only about chart success, but also about growth, healing, and the enduring power of music.

EBRO DARDEN: How does it feel being an African artist and you are someone who went to school in the States and toured Africa and toured the world prior to 2015 and now. So you can actually compare because you had music out when it was... y’all was just getting struggle... it was struggle. The struggle was real trying to figure it out to now, where when you show up somewhere and people know you're in town or you're selling tickets, you sold out the Garden, what's the... Talk about that feeling?

DAVIDO: I think just generally in life when good things are happening so quick, you don’t realise. I actually remember the first time I was sitting in front of my laptop opening Logic and sitting down like, ‘D*mn, I want to make it. I actually want to be a musician. This is what I want to do.’ Watching MTV Cribs, watching people go on tour. I was a big YouTuber. I used to watch YouTube a lot. I used to watch vlogs. Tour vlogs, so it’s like Soulja Boy vlogs, just people about just being popular and being a star. I used to watch all that stuff, so I saw it transition into reality for me. Do you understand? From the beginning, from showing my friends the culture, showing my friends like, ‘Come listen to this Nigerian music.’ And then, actually falling in love with the genre, falling in love with music, knowing that my family's not going to accept this, but I'll still do it anyway, not knowing that I’ll be one of the ones to pioneer it. Never imagined it here. Forget it. I’ll be lying to you. Never imagined it. So when things were just happening over time, we were just taking in the strides like, ‘Damn, this is getting lit.’ We sold out 1 000. We sold out 2 000. Damn, we sold out 30, 40... Yeah, so it’s never really... I feel like every successful person that attains a great level of success can’t explain the feeling. You know what I’m saying?

There’s a rumour circulating. Maybe you started it, I’m not sure. I just read about it that you and Chris Brown have like 20 songs done.

More. We could put out two albums right now.

And why hasn’t that happened?

It’s going to happen. It’s going to happen. I’m just happy for Chris. I just feel like he’s back in his bag. You know what I’m saying? It’s 20 years. The Grammys last year, he just deserves everything. Everything just happened so fast for him. So I told him I was meant to go on this tour.

You on the Breezy Bowl?

Yeah. Breezy Bowl.

20 years of Chris Brown.

I know. Yeah. Probably going to pop up [at some shows].

Why he named his album 5ive

When I was looking for a title, I was like, I don’t want it to be too deep. I already had A Good Time, A Better Time, Timeless. And I was like, ‘You know what?’ And my boy was just like, ‘Just name it five, it’s your fifth album.’ And then after, I started reading on the number five. So after the fact, then I started reading on number five, symbol of hope, symbol of grace, change, growth. And it’s Angel number two. You know what I’m saying? So we just went with that.

You guys had severe loss in your family.

Crazy! You know what I’m saying? That type of loss made you just be like, ‘I’m out. I’m just going to chill, take care of my wife and take care of the family and get my head right.’ So just to come back from that and just... You know what I’m saying? To be blessed with twins out the gate, a boy and a girl.

That’s crazy. That’s great.

And the boy looks just like my son that passed. It’s scary. It’s like literally him. We’re like, ‘Nah, it’s him. He came back’ type stuff.

Yeah, that’s beautiful.

But yeah, just to be able to come back from that and just be happy. And then we had the wedding and then the album went crazy. It’s like, ‘Yo,’ it’s like, ‘God is real.’ You know what I’m saying?

That means you’re putting out positive energy into the universe, right?

Positive energy. I know I have so many friends that even after me, that went through loss too. And every time, the first thing I tell them every time, you know what I say? I say, ‘Bruh, if I could be okay, you're going to be okay.’ Man, you lost your mom or you lost your friend. So one of my friends recently just lost a trio of people and I was talking to her and I was like, ‘Yo, bro, if I can go through this, you can go through this.’ But the most important thing, I feel like family is very, very important. When you’re on the road and when you are attaining so much success, you know what I'm saying, you tend to forget the people that really have your back. So, I don't want to say like, ‘Oh, I’m happy I went through that experience,’ but it did teach me a lot of things.

What’s next for Davido including tour, producing, and a documentary

Yeah, we going on tour, man. US. Europe, Asia, Africa. And I’m saying we starting here in the US, definitely. And then, we go. So go get your tickets. And I got movies coming out.

Are you producing movies?

Yeah. I’m an executive, producing a movie and a series with my director, Dammy Twitch. Also, working on my documentary. So a lot of things.

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