NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Interview: Etuk Ubong on music as codes

19 Aug 2019 - 15:50

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Etuk Ubong is a Nigerian trumpeter, composer and bandleader. Raised in Lagos, he was encouraged and supported by his mother at age 14. He studied at the Peter King College of Music, the MUSON (Music Society of Nigeria) School of Music and the University of Cape Town.

Etuk Ubong will be in Johannesburg this September.

Ubong has performed professionally for close to a decade alongside renowned musicians such as Victor Olaiya, Femi Kuti and Buchi, a popular Nigerian gospel reggae singer. Drawing inspiration from the jazz greats, Afrobeat, highlife and ekombi, he says that the sounds of the elements – water, wind and fire – inspire him, which is why he calls his brand music ‘Earth Music’.

His compositions reflect his heritage and life philosophy of goodwill, peace and love for humanity. Ubong has been able to bring his style of music – horn-filled Afrobeat, funk and high-energy jazz – to a new audience. Watching him on the trumpet is a real delight.

In September, Ubong will be at the Joy of Jazz festival in Johannesburg, South Africa, where he will present a taste of his upcoming album, slated for release early next year.

Music in Africa caught up with Ubong while on his European tour for an exclusive interview.

MUSIC IN AFRICA: Who is Etuk Ubong?

ETUK UBONG: Etuk Ubong is a human who's concerned about affecting society positively using the codes of the Creator. The codes of the Creator are broad and too deep for a shallow-minded man to understand. Take for instance the great Imhotep, father of medicine, architect, priest, author. He solved a problem using the code.

Deep wisdom and knowledge of the surface of mankind. I can put that as a definition for mankind, but here it is: I don’t have an actual definition right now. But I will go about it this way, then you and everyone else who isn't informed or aware can figure it out.

Tell us about your background. What made you want to do Afrobeat?

I'm from a mixed spiritual and religious home. Mum was a devoted Christian while my dad and my granddad were a traditional chief priests.

What made you choose the trumpet?

Musically, I have crossed so many paths, I started my career playing as a sideman with Dr Victor Olaiya who is a doyen of highlife music in Nigeria. As a teenager in his band we played twice a week at his club Papingo Davalaya at the Stadium Hotel for about three years or so. Then I played as sideman in other bands and genres like reggae, jazz, pop and finally Afrobeat with Femi Kuti. Experiencing all of these music institutions changed my thoughts about life in general.

While I was on that path of learning, while playing with these great musicians, I always knew that I was going to make my music someday. Then came Earth Music, a kind of music that reflects the struggle of humanity. It speaks against tyrants, injustice, corruption and other ills in society.

Tell us more about your creative process. What inspires you?

People and life generally inspire me. Of course, I know we live in a world of confusion and division with the intention of love and light by the Creator, like I was born into. But looking at the heart of mankind, we see light and love which reflects the creation of God. The inspiration is for me to use the code. I have to affect humans through my music to regain that consciousness of love and light as much as I can.

So, can it be said that your style of music is your way of delivering the codes?

Yes.

You have been on quite a number of tours around the world lately. How does that feel for you as a messenger using your music?

It sure does feel great regarding my career as a musician on the road. I'm sure every musician out there aspires to be on the road. But what's most important is that I have the opportunity to utilise my code in affecting and influencing the people of the world beyond my community to a larger one with the message of love and light, peace and goodwill, unity and harmony.

How do you interact with your fans and how would you describe them?

So far so good. I have encountered great people who appreciate and adhere to the messages I bring to them. It’s always a life-changing experience all of us. I will show you an example. [A text from a fan]: ‘It was a pleasure and an honour to listen to your sound last night. Thank you, pleasure to meet you. I’m sending my sons to Lagos University after that.’ That's from Nick, a true follower and fan from London.

I talked about cultural exchange, about believing that someday, they [Europeans] can and will send their kids to Nigeria to study like we send ours.

The Joy of Jazz festival is coming up in South Africa in September with you as one of the artists featuring. Tell us more about that.

My first time in South Africa I was at Joy of Jazz as a listener and jazz lover who came to watch and be part of the festival, and I said to myself, 'Someday I will be on that stage' and it's a reality now.

Also the fact that one of the greatest musicians I have always idolised, Wynton Marsalis will be on the line-up as well. I'm happy to share Earth Music with my African brothers and sisters.

What should the fans be expecting of your Joy of Jazz performance?

Earth Music which comes with love and light. They must come with an open heart, though.

Where is your favourite place to perform in the world?

The Truth – my place of worship and commune, open to all mankind to converse in optimism regardless of race or culture.

Do you have a message for your fans? Any album or single to be released soon?

I'm releasing my next album The Purpose of creation with the Night Dreamers record label in late January 2020. I will also be playing music from the album at Joy of Jazz.

For more information about Joy of Jazz 2019, visit the official website.

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