NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Jah Prayzah: The prophecy of Kutonga Kwaro

24 Nov 2017 - 12:40

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By Godwin Muzari

It is hard to ignore Jah Prayzah’s music in this era of political transition in the country. His songs, especially ‘Kutonga Kwaro’, are being played everywhere.

Jah Prayzah with new Zimbabwean President Emmerson Mnangagwa.

Every revolution is oiled with music that resonates with winds of change and Jah Prayzah’s album Kutonga Kwaro, which was released 43 days ago, has dovetailed with the greatest political development since the country’s independence – the resignation of Robert Mugabe.

When the title of the album was announced a few weeks before its release, some social media users extended the name to ‘Kutonga Kwaro Garwe’ in connotative reference to now-President-designate Emmerson Mnangagwa.

Garwe or Ngwena (crocodile) is Mnangagwa’s moniker and that time in September when Jah Prayzah’s album was linked to him – even before people heard the lyrics – the intention was not sincere, but it has turned out to be the greatest prophecy of our time. The Crocodile is getting the Presidential throne today and those who say Jah Prayzah is a spirit medium could be right after all. He saw it coming.

Although the musician maintains that the relationship between political developments and his lyrics is a mere coincidence, the synchronisation of the two creates a high point of interest, especially with the fact that ‘Kutonga Kwaro’ came after another suggestive title: Mdhara Vachauya.

Mdhara Vachauya means “a respected elder will come” was Jah Prayzah’s 2016 album. The album was also given a political interpretation with people questioning who the elder would be.

So, if last year Jah Prayzah told us that a respected elder would come and this year announced the arrival of a hero, how best can we describe the musician?

Some have concluded that he was deliberately fighting in Mnangagwa’s corner while those who believe in the power of the creative world suggest that Jah Prayzah indeed has a gift of foresight and his insinuations should never be taken lightly.

Whichever side one chooses to take, the truth is that Jah Prayzah was on point and foresaw today’s events when some people did not believe it would happen, while others vowed that it would never happen. Today it is happening, Mnangagwa will be sworn in as the country’s president.

As Jah Prayzah foresaw in 2016, Mudhara Vazouya and as he declared 43 days ago, kwave kutonga kwaro gamba (or Garwe, to be precise). It is obvious that Jah Prayzah’s music will dominate the celebrations as it did during that historic march to State House last Saturday.

The song ‘Kutonga Kwaro’ was an anthem during the march and some who did not follow Jah Prayzah’s music repented on the day. Although the album was steadily doing well on its own, the current political change has catapulted it to dizzy heights.

Jah Prayzah now has more admirers and he has become a hero of the revolution. In the heat of factional wars in Zanu-PF, Jah Prayzah became a target of the G40 as some in that sect openly castigated him for pushing Mnangagwa’s agenda through his music.

Some people even claimed that a series of attacks on Jah Prayzah last month were instigated by the G40. Whether it is true or not, it is a fact that Jah Prayzah would not be celebrating the way he is doing now if G40 had succeeded in flooring Mnangagwa.

His world was slowly crumbling around him and when this writer phoned him a few days after last month’s attacks, he said he was taking a breather in his rural area and seeking guidance from his father. He was apparently sensing danger.

But this week’s picture is completely different. Jah Prayzah reportedly stole the limelight in South Africa on his way from Australia and a mega welcome party was planned for him yesterday as he flew back home. His fans organised a party to welcome their hero.

His manager Keen Mushapaidze on Wednesday posted a picture on Facebook celebrating the new era. Indeed, Jah Prayzah is a hero in this transition. Like many other musicians before him that include Simon Chimbetu, Thomas Mapfumo, Chinx and LMG Choir that were credited for boosting morale during the liberation struggle, Jah Prayzah has been lauded for music that has united people in the dawn of a new era.

Meanwhile, the musician has planned a celebratory show set for Harare International Conference Centre tonight. The show was hastily organised and announced yesterday as the musician arrived back home from his international tour. His camp said they would celebrate with their fans at the giant events facility that is expected to be packed to capacity.

Jah Prayzah received a great welcome as he arrived in Harare and he is likely to be greeted with similar honour when he goes on stage tonight and the song ‘Kutonga Kwaro’ will definitely be the track of the celebrations.

Godwin Muzari is the arts editor for The Herald. This article was first published on The Herald.

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