NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Jaojoby and Grèn Sémé to bring island style to Fête de la Musique

17 Jun 2015 - 13:10

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The Fête de la Musique in Johannesburg is back! One of the fastest growing festival brands in South Africa, the festival drew 5 000 people in 2012, 8 000 people in 2013 and 10 000 people in 2014. This year the event promises to be bigger and better as it moves to its new home at Newtown Junction in the heart of downtown Johannesburg on Saturday 27 June from 10am to 7pm.

Grèn Sémé from Reunion. Photo: www.gren-seme.re

Various stakeholders from the greater Newtown Cultural Precinct area will be involved in multiple live performances and programming activities spread throughout the day, and all come together at the exciting Newtown Junction precinct. The Bassline, The Market Theatre, Artist Proof Studios, The Dance Corner, The Photo Lab, Sci Bono Centre and others organisations will participate in this annual and uniquely free celebration of music and culture.

The fourth edition of Fête de La Musique promotes musical diversity and showcases a broad mix of music ranging from pop, rock, hip-hop, jazz, traditional and even to brass band music. Some of the international musical line-up festival goers can expect on the day include Jaojoby (Madagascar), Benjamin Piat (France) and Grèn Sémé (France/Reunion).

Jaojoby is commonly recognised as the most popular singer in Madagascar and the Indian Ocean islands. Widely referred to as the 'King of Salegy', the grooviest and most popular music genre of the island. His success has earned him such honours as Artist of the Year in Madagascar (1998-1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999. He recently performed at the Bassline's Africa Day celebrations, as well as at the MTN Bushfire festival in Swaziland.

Benjamin Piat presents his very personal Chanson Française, mixing up touching lyrics, captivating melodies and lively beats. After performing more than 300 gigs, and winning an award at the “Chant’ Appart” Festival, Benjamin Piat is proud to present his brand new record, Boîte à Musique, with his debut South African show.

Grèn Sémé succeed in bringing their 'Maloya' sounds far beyond Reunion Island's borders. Their music, deeply rooted in tradition, explores new horizons and new sounds. In this laboratory comes to life a mix of singing and experimentation, between blues and joy, rebellion and tenderness, that they call "evolutive maloya".

Fete de la Musique favourites BCUC and Bongeziwe Mabandla will headline this year, alongside a slew of relative newcomers including Coal Train Band, Bambani Brass Band, Go Barefoot, Miss Bubu and The Meerkat Mob.

Launched in 1982 by the French Ministry for Culture, the Fête de la Musique is held in more than hundred countries in Europe and over the world. It usually takes place every 21st June, the day of the summer solstice in the northern hemisphere. Thanks to the dynamism of the French cultural network abroad (the departments of Cultural Affairs at the French Embassies, French cultural Centers and Institutes and the Alliances Françaises), the Fête has an important international growth. 2010 saw the inaugural South African event taking place in Richmond Hill, Port Elizabeth with the intention of promoting French art and culture in South Africa. The second Fête was held at Arts on Main in Johannesburg in 2011. From 2012 to 2014 the event was held in Melville, and now it moves to a bigger home in the exciting Newtown precinct.

The fourth edition of the Fête de la Musique is presented by the Alliance Francaise of Johannesburg, the French Institute of South Africa, Newtown Junction and the Bassline. The full programme will shortly be made available on the event website and facebook page.

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