NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

The Joy: Spreading happiness and cultural pride

26 Jun 2024 - 08:46

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In a world where music has the power to unite and inspire, The Joy, a talented five-member a cappella group from South Africa, is on a mission to spread happiness and cultural pride. Formed in 2018, the group has risen to fame with its sound that blends traditional South African rhythms, gospel, R&B and soul.

The Joy. Photo: Facebook

In an interview ahead of the release of their eponymous debut album, the group shared its inspiring journey from their humble beginnings tracing back to school choir rehearsals.

“We realised we could form our own group and create something beautiful,” they recalled, adding that their talents were discovered by English record producer Ben Ash, leading to a management deal.

The group draws influences from South Africa’s rich musical history, from mbube to isicathamiya while experimenting with different genres including Afro-pop, Afrobeats and amapiano. With unique vocal technique and harmony, The Joy’s performances are a treat for the eyes and ears, featuring intricate choreography and storytelling elements.

“We interchange singing roles, and our voices complement each other. We do our level best to incorporate some dance moves when we perform. Our moves are Zulu-driven and come naturally to us.”

The Joy’s music is inspired by their grandfathers and Zulu heritage, and they take pride in preserving their cultural heritage through their work. With their name inspired by the joy they bring to their audience, they aim to spread love, positivity. In the introductory song, ‘Uhlenge’ (meaning “rescue” in English), The Joy narrates the story of a man lamenting assault on his spirit, imploring the gods for salvation. The song serves as a poignant plea for divine intervention, highlighting the protagonist’s desperate cry for salvation from the forces that seek to diminish his essence. The powerful opening track sets the tone for a thought-provoking and emotionally charged musical journey.

The second track, ‘Mama ka Nomthandazo’, is a vibrant and joyful song that features a young boy playfully asking a mother to release her daughter so she can dance for him. What distinguishes these two songs is their exceptional lyrical depth, which shines through by exploring distinct themes. While ‘Uhlenge’ is a heartfelt plea for rescue, ‘Mama ka Nomthandazo’ is a lighthearted and endearing request, showcasing the artists’ skills in crafting diverse narratives.

“Our music makes it easy to capture the public as a whole, express our values and beliefs, and tell our story,” they said.

The Joy believes in the importance of balancing individual creative expression. Throughout the album, the group showcases its exceptional vocal prowess, delivering intricate harmonies and impressive vocal dexterity. Moreover, a powerful theme of unity emerges as a recurring thread, weaving together the group’s diverse songs into a cohesive and impactful collection.

“We understand that we are different, and it’s those differences that make us unique. We write down our lyrics individually, then regroup to combine what we have written.”

While collaborations and fusions are essential to South African music, the group has worked with artists from various genres and disciplines, learning valuable lessons about unity and creative expression. Their most memorable performance was with US rapper and singer Doja Cat at this year’s Coachella Festival in California, which they described as an amazing experience. They have also collaborated with international artists and look forward to working with more amazing talents.

“We aim to contribute to global cultural exchange and collaborate with international artists. It takes a village, and we appreciate the recognition and support.”

The Joy’s remarkable journey from humble school choir beginnings to international stardom is a resounding tribute to the transformative power of music. Through their music, The Joy seeks to bridge cultural divides, foster international collaboration and inspire a deeper understanding of the world’s diverse heritage.

The album culminates in two soul-stirring gospel tracks, ‘Amandla ka Moya’ and ‘Jesu’. These spiritually charged songs showcase the group’s sublime harmonies and sincere devotion. The breath-taking blend of their voices and the inspiring message of the tracks make for an unforgettable listening experience.

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