NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

banned song

Kenya: ethnic incitement through music

07 Mar 2018 - 07:23

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A song that criticizes a Kenyan politician and mocks members of her tribe has been banned by the Kenya Film Classification Board (KFCB).

Ngilu says that locals should avoid being enticed into cutting down trees by charcoal merchants.

The song ‘Ikamba’ which went viral on Sunday was composed in the Kikuyu language by Isiah and Waharakare after Kitui county governor, Charity Ngilu, banned charcoal and sand trading. It is alleged that a majority of charcoal traders are Kikuyus.

KFCB through its CEO, Ezekiel Mutua, has banned the song for being insightful. In a series of tweets and a Facebook post, Mutua said the song amounts to incitement, violence and hate speech against the Kamba community.

“My attention has been drawn to a new kikuyu song by Isaiah and Waharaka titled ‘Ikamba’ that mocks the Kamba community and castigates Kitui Governor Charity Ngilu,” read a post by Mutua published on Sunday. “The song is offensive and distasteful. Its translation and real meaning and objective is to mock one community and deride its members over the ongoing controversy on charcoal burning in Ukambani.”

The post continues: “The song is in bad taste as it generalizes the acts of a few individuals to malign and deride a whole community in the foulest language,” he said. “This video therefore should be suspended forthwith and the two musicians, the producers and distributors arrested and charged with hate speech and incitement to violence.”

“In the meantime, the song should not be aired on any media platform or distributed in any frontier. Anyone found in possession of the same will be charged for being an accomplice to a crime.

The video of the song begins with the two musicians eating mangoes, a fruit that is largely produced by the Kamba community. The duo then move to ask what the Kamba community will eat now that the mango season is over - they suggest that the community members will now feed on dogs and wild birds such as parrots.

According to Mutua the two musicians have gone against the provisions of Article 33 of the constitution on freedom of expression which states that “The right to freedom of expression does not extend to: propaganda for war, incitement to violence, hate speech or advocacy of hatred that constitutes ethnic incitement, vilification of others or incitement to cause harm or is based on any ground of discrimination specified or contemplated in Article 27 (4).”

The issue sparked mixed reactions from the general public who commented on Mutua’s post. Francis Runyiri Njoroge wrote: “I have listened to this song but I want to assure you it’s a very irritating song so irritating! Kamba and Kikuyu's have lived in peace since then, please let's stop this kind of songs and incitement.”

“I have seen how Tanzania punishes artists who are not compliant and I think KFCB should pick such policies,” Graham Kajilwa wrote. “If an artist is not compliant, he or she is prohibited from releasing an update song or performing in the country like it happened to Roma Mkatoliki in Tanzania just a few days ago.”

“I hope you issued such comprehensive and strong worded statement against the governor who fuelled the ethnic hatred,” wrote Kariithi Solomon.

There were also reactions from politicians and the National Cohesion and Integration Commission (NCIC) which is currently investigating the case.

Speaking to a local publication, NCIC chairman, Francis ole Kaparo said that his officers were looking into the content of the song.

"The matter is seriously being investigated by both the NCIC and the Criminal Investigation Department (CID,” Kaparo said. “I expect feedback shortly. In the meantime, I appeal for calm and urge all Kenyans to avoid irresponsible and reckless incitements."

Kenyan politician, Wavinya Ndeti also commented on the matter and said, “It is disrespectful of the highest order and we demand for immediate arrest of those behind the mockery song,” Ndeti said. “The police and the National Cohesion and Integration Commission (NCIC) must do thorough investigations and establish the people behind the disgraceful song.”

If arraigned in court, Isaiah and Waharaka will join a list of three other Kikuyu musicians, John DeMathew, Muigai wa Njoroge and Kamande wa Kioi who in 2012 where charged with inciting hatred between President Uhuru Kenyatta’s Kikuyu tribe and former opposition leader, Raila Odinga’s Luo tribe.

Ngilu on 17 January, banned burning of charcoal in her county and called for a crackdown on anybody found burning or ferrying charcoal from the area saying that charcoal burning was killing the economy and destroying the environment.

“You have a duty to protect the environment so stop being enticed to cut down trees by charcoal merchants because the county is fast becoming bare and dry” she told the public at a rally on 18 January.

However, the crackdown by the residents turned ugly when a charcoal truck was burnt by youth at Kanyonyoo, on the Mwingi-Thika-Nairobi highway, on February 8.

This incident drew hostile reactions the Kikuyu politicians who saw it as an attack towards their tribe. NCIC was asked to probe Ngilu on incitement. She appeared in front of the NCIC committee on 20 February and denied the claims.

Not certified, the politicians through Kiambu county governor Ferdinand Waititu, filed a petition on Monday at the Milimani Law Courts in Nairobi seeking to alter Ngilu’s decision to ban charcoal and sand trading in her county.

Waititu submitted that Ngilu’s stand on the ban has resulted in malicious damage “Nowhere does the Charcoal Management Act in Kitui say a vehicle carrying charcoal should be burnt” Waititu said “Her actions were malicious and reckless. She should be ordered to stop inciting the public against innocent traders.”

Here is a video of Ngilu commenting on the matter.

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