NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Kenya: Goethe-Institut to host second music industry talk this Friday

07 May 2024 - 12:44

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Goethe-Institut Nairobi has announced that the second edition of its recently launched Kenyan music industry series of talks will take place on 10 May from 5pm to 7pm.

Panellists during the first Goethe-Institut music industry talk on 19 April. Photo: Humphrey Gateri

Conceived at the start of the year, the six-episode series will run until October and seeks to empower Kenyan music creatives with knowledge to navigate what can sometimes be a challenging sector.

The talks will connect creatives at any level of their career with professionals who will offer them insights into the business and marketing side of the industry to support their individual growth. The platform will also serve as a sounding board for ideas intended to transform the Kenyan music sector into one that is vibrant and artist-centred.

The event is free to attend and will be held at the German cultural centre’s auditorium. The first edition on 19 April examined the legal issues around intellectual property (IP) and music publishing. The discussion was led by IP experts David Katee, Kaindo Kiarie and Wandiri Karimi. You can watch the talk here.

The second event will look at music distribution and streaming revenues, and will feature Boomplay East Africa managing director Martha Huro, The Orchard senior artist and label manager for East Africa Beth Achitsa and Mdundo Kenya licensing manager Agnes Opondo.

“Streaming revenues and effective music distribution are areas that plague the majority of creators in the music scene,” Goethe-Institut Kenya cultural programmes head Susanne Gerhard said. “What are your rights as an emerging artist when it comes to streaming royalties? What do you need to do to protect your IP and music compositions? These are some of the pertinent questions to be addressed during the discussion.”

“Revenues from music streaming have the potential to be an artist’s biggest earner,” she added. “However, this is not always the case for most artists, especially those with less streams. How can they navigate this?”

Kenyan music publicist Anyiko Owoko, who serves as the curator and moderator of the event, said: “Music distribution is such a central topic for artists. It’s not just about making your content available but it’s key to also make it discoverable, accessible and viable to keep up with the music business. This is the difficult balance that many artists strive to realise. But with the help of clever marketing, PR strategies and collaborations with distributors and labels, it’s possible to achieve. Our speakers will dive into strategies to employ to accomplish this during the session.”

Goethe-Institut Nairobi 2024 music industry talks:

  • Streaming Revenues and Music Distribution – 10 May
  • Digital Footprint for New Media Entrepreneurship – 7 June (exact date TBC)
  • Safety Planning for More Inclusive and Safer Spaces in the Industry – 2 August (exact date TBC)
  • The Business of Music – 6 September (exact date TBC)
  • Them Mushrooms: A 50-year Journey – 4 October (exact date TBC)

Follow Goethe-Institut Nairobi on Facebook for more information.

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