NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya to host Cool Waters Jazz and Roots Festival

14 Sep 2016 - 08:38

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Kenyans will dance to rhythms from across Africa as artists from Botswana, Cameroon and Nigeria descend on the Kenyan capital at the Cool Waters Jazz & Roots Festival. The festival will be held between 22 - 24 September at three venues in the city.

Cameroonian singer Franck Biyong. Photo: www.franckbiyong.net

Cool Waters Jazz & Roots is Nairobi’s new boutique jazz festival for music lovers who are open to discovering new voices, seasoned talent and unique sounds. Botswana’s Kabo Leburu will set the pace for the festival with his fusion of African jazz and American bluegrass rhythms at Choices Pub on the evening of 22 September.

A talented guitarist and Harmonica player, Leburu played with the now defunct Dance Afrika Jazz Band who were residents at Satchmos Jazz Cafe between 2006 and 2007 before embarking on a solo career in 2008.

Leburu will pass the mic to Nigeria’s Keziah Jones and Kenya’s Maia Von Lekow who will put on an equally charged performance of blufunk music and soulful jazz at the Tree House on 23 September. Keziah Jones, also a talented guitarist, will seek to thrill his Kenyan fans in his first performance in East Africa before staging another solo show in Rwanda.

The final day of the festival (24 September) will see acts from Kenya perform alongside Cameroonian singer Franck Biyong at the Elephant in Nairobi. The Kenyan acts slated to perform at the festival are jazz artist Eddie Grey, Achieng Abura and Teto Tutuma. As an artist, Eddie Grey is well-regardeed for his contribution to jazz in East Africa. In a bid to find his own voice in an already saturated industry, he leans more towards harmonically rich arrangements laid under folk melodies from the different cultures in Kenya.

Eddie Grey went on to perform in many of the revered jazz spots in Nairobi and around East Africa. Grey has released two albums: No Train to Kibera and Stories by the Lake. After a five year recording process, Eddie Grey will release his third album, World to Come. The album is described as a psychedelic mix of jazz, afrobeat, R&B, hip hop and electronica. The album is expected to hit stores in December 2016.

Teto Tutuma appeared on the Kenyan music as a vocalist for the group TKK. A self-taught guitarist, Tutuma would later embark on a solo career with a view of promoting traditional music. Currently Teto Tutuma and the Purple Warriors Band are introducing their definitive sound to different audiences.

Promoting a new album released in April 2012 called Nosim Ai (My Companion) the band comprises of Paul Yanik on drums, Mose the Drumist on soft percussion, Sam Mbaluka on bass, Michel Ongaro on lead guitar, Helen Kisio on background vocals and Tutuma himself on lead vocals with rhythm guitar.

According to the organizers the Cool Waters Jazz and Roots Festival aims at celebrating the culture, innovation and improvisation that jazz and roots music offer.


Some of the events are free while tickets for select events cost between KES 2000 (about $19) and 3500 (about $34). For more information visit the Cool Waters Jazz and Roots Festival Facebook Page.

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